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Contents ( 41)
  1. SILENCE IS MY MOTHER TONGUE
  2. SILENCE IS MY MOTHER TONGUE
  3. A Novel
  4. THE TRIAL
  5. THE ARRIVAL
  6. THE MOSQUE IN THE SAND
  7. THE EXPIRED SARDINES
  8. THE OPEN TOILET
  9. THE MIDWIFE
  10. THE TELEVISION
  11. THE BLOOD
  12. TV: LIBERATION OF A MAN
  13. THE NEW BLANKET
  14. THE SECOND-HAND CLOTHES
  15. DISGUST IS AN ACQUIRED TASTE
  16. RICE
  17. THE COMMITTEE OF ELDERS
  18. THE BUSINESSMAN
  19. MEN ARE EASY TO READ
  20. THE PROSTITUTE
  21. THE MOTHER’S NAME
  22. SHARING
  23. THE RAZOR
  24. WOMEN DYING LIKE MEN
  25. THE SHOP
  26. MEAT
  27. THE FIRST VIRGINITY TEST
  28. A WOMAN
  29. THE BROKEN LANGUAGE
  30. FREE LOVE, FENCED
  31. THE WHITE CLOTH
  32. THE DANCE
  33. THE GOAT
  34. CINEMA SILENZIOSO
  35. THE MAP OF THE COUNTRY
  36. THE WEDDING
  37. FREEDOM: THE DOUBLE PRICE
  38. LOVE SHARED
  39. THE DEPARTURE
  40. ACKNOWLEDGEMENTS
  41. ABOUT THE AUTHOR

Saba made her way back to the hut. The oil lamp flickered, the flame dancing across Hagos’s face. Saba stepped over him and sat on her side of the blanket.

The blanket had aged. Hagos had patched up some of the holes by sewing colourful fabric onto the grey blanket. Green. Pink. Red. Yellow, the colour of the deceased woman’s dress. Every time she sat on the blanket, Saba felt the spirit of the woman as if her corpse had remained on the same blanket. Saba pressed against the jagged surface of the curved wall. The dazzling yellow dress sparkled to the stars shining through the window. The deceased threw her arms around Hagos and hugged him tighter. Death became animated on his warm body. Yellow paint melted on his skin. On a rivulet of his sweat a yellow hibiscus flower flourished.

No matter how often Saba washed the blanket and scrubbed it by the river, the memory of death appeared woven into the fabric. That night, though, as she closed her eyes, it was the bodies of Dawit and Signorina that stayed at the forefront of her mind. She wondered if the smile on Hagos’s sleeping face was ignited by that same scene. Saba blew out the lamp.

The next morning, Saba felt the sun burn as it filtered through the window. Warm air pressed against her chest. Beads of sweat trickled down her body as she rocked from side to side. Saba could smell her own skin, muddy and damp. Her mind was drawn back to when she was young, unburdened by guilt, or by society’s expectations of her. The world wasn’t confrontational then, because Saba hadn’t yet conjured up a dream. In those days, she and her mother talked and laughed. In those days, her thighs, like the rest of her body, were unscarred.

Saba opened her eyes and sat up, breathless. She was naked, her chemise lying at the end of her feet, near Hagos’s head. She stared at her own bare legs, at the scars of healed wounds. Hagos had his hand around her shin. He placed his black foot on her purple thigh.

Saba dressed and exited the hut and stood by the door staring into the empty square. She slid against the outside wall, next to the remains of the orange seedlings, which had died a long time ago. Only repulsion could grow in this place.

She wrapped her arms around herself. It wasn’t Hagos’s fault. Most of her male relatives, younger than he, were already married, had children. In comparison, Hagos had sympathy. Sweet Hagos. That was what her cousin and her friends called him. Shukor, innocent Hagos.

Saba stood up and peered through the window. Hagos hugged her nightwear in his arms as if a woman lay next to him.

The square was deserted. Saba breathed in the air that was hers alone. Before long, people began to stream onto the square. It dawned on Saba that there were no animals in this place. She longed for dogs. To stroke cats. Drink fresh milk. Have eggs. She longed to eat chicken stew, fried goat with berbere and lentils. The dust made her cough.