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Contents ( 58)
  1. SHADOW OF THE GIANT
  2. SHADOW OF THE GIANT
  3. Orson Scott Card
  4. CONTENTS
  5. SHADOW OF THE GIANT
  6. 1
  7. MANDATE OF HEAVEN
  8. 2
  9. MOTHER
  10. 3
  11. COUP
  12. 4
  13. BARGAIN
  14. 5
  15. SHIVA
  16. 6
  17. EVOLUTION
  18. 7
  19. AN OFFER
  20. 8
  21. ENDER
  22. 9
  23. PENSION
  24. 10
  25. GRIEF
  26. 11
  27. AFRICAN GOD
  28. 12
  29. ALLAHU AKBAR
  30. 13
  31. FOUND
  32. 14
  33. VIRLOMI’S VISITORS
  34. 15
  35. RATIFICATION
  36. 16
  37. JEESH
  38. 17
  39. BOATS
  40. 18
  41. YEREVAN
  42. 19
  43. ENEMIES
  44. 20
  45. PLANS
  46. 21
  47. PAPERS
  48. 22
  49. RUMORS OF WAR
  50. 23
  51. COLONIST
  52. 24
  53. SACRIFICE
  54. 25
  55. LETTERS
  56. 26
  57. SPEAK FOR ME
  58. ACKNOWLEDGMENTS

For me to turn over my troops to a Hegemon who happens to be not only white, but American by birth, would run a grave risk of a coup that would provoke bloodshed in the streets and destabilize the whole region.

That is why it is essential that you decide in advance who the commander of my forces will be. There is only one plausible candidate. Many of my men got a good look at Julian Delphiki. Word has spread. He is viewed as something of a god. His record of military genius is respected by my officer corps; his enormous size gives him heroic stature; and his partial African ancestry, which is, fortunately, visible in his features and coloring, makes him a man that patriotic Rwandans could follow.

If you send Bean to me, to stand beside me as the man who will assume command of Rwandan forces as they become part of the Free People’s army, then I will ratify and immediately submit the issue to my people in a plebiscite. People who would not vote for a Constitution with you at its head will vote for a Constitution whose face is that of the Giant Julian.

Sincerely, Felix

Virlomi spoke on the cellphone with her contact. “All clear?” she asked.

“It’s not a trap. They’re gone.”

“How bad is it?”

“I’m so sorry.”

That bad.

Virlomi put away the phone and walked from the shelter of the trees into the village.

There were bodies lying in the doorway of every house they passed. But Virlomi did not turn to the right hand or the left. They had to make sure they got the key footage first.

In the center of the village, the Muslim soldiers had spitted a cow and roasted it over a fire. The bodies of twenty or so Hindu adults surrounded the roasting pit.

“Ten seconds,” said Virlomi.

Obediently, the vidman framed the shot and ran the camera for ten seconds. During the shot, a crow landed but did not eat anything. It merely walked a couple of steps and then flew again. Virlomi wrote her script in her head: The gods send their messengers to see, and in grief they fly away again.

Virlomi walked near the dead and saw that each corpse had a slab of half-cooked, bloody meat in its mouth. No bullets had been spent on the dead. Their throats were split and gaping open.

“Close up. These three, each in turn. Five seconds each.”

The vidman did his work. Virlomi did not touch any of the bodies. “How many minutes left?”

“Plenty,” said the vidman.

“Then take every one of them. Every one.”

The vidman moved from body to body, taking the digital shots that would soon go out over the nets. Meanwhile, Virlomi now went from house to house. She hoped that there would be at least one person living. Someone they could save. But there was no one.

In the doorway of the village’s largest house, one of Virlomi’s men waited for her. “Please do not go in, Lady,” he said.