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Contents ( 55)
  1. Shades of Milk and Honey
  2. Table of Contents
  3. One
  4. Jasmine and Honeysuckle
  5. Two
  6. Doves and Roses
  7. Three
  8. Nymphs at the Ball
  9. Four
  10. Neighbours and Salts
  11. Five
  12. Art and Glamour
  13. Six
  14. Strawberries and Bonnets
  15. Seven
  16. Nymph on the Hill
  17. Eight
  18. Flowers and Novels
  19. Nine
  20. A Tonic in the Maze
  21. Ten
  22. The Broken Bridge
  23. Eleven
  24. A Dinner Invitation
  25. Twelve
  26. Beast and Beauty
  27. Thirteen
  28. The Beast Upset
  29. Fourteen
  30. Curiosity Unrequited
  31. Fifteen
  32. A Book and a Gift
  33. Sixteen
  34. Change and Fury
  35. Seventeen
  36. Leaves and Confession
  37. Eighteen
  38. Order and Disarray
  39. Nineteen
  40. Trust and Distractions
  41. Twenty
  42. Packing and Discovery
  43. Twenty-one
  44. Wolves and Muses
  45. Twenty-two
  46. Leaving the Maze
  47. Twenty-three
  48. The Box on the Mantel
  49. Twenty-four
  50. Duels and Deals
  51. Twenty-five
  52. Snake in the Grass
  53. Twenty-six
  54. Solicitations
  55. Acknowledgments

He snorted in response. “The heat allows me to enjoy a cooling breeze more than I would were the temperature merely pleasant.”

“Then do you introduce imperfections deliberately in your own work?” Mr. Dunkirk sidled his horse next to the hedgerow, leaning over as if to see what Mr. Vincent drew.

“No.”

“No? You surprize me.” Mr. Dunkirk turned to Jane. “And you, Miss Ellsworth?”

“I do not. Were I ever to achieve perfection, my opinion might differ from Mr. Vincent’s, but it is a theory I am unlikely to have the opportunity to test.”

“Oh, but Jane, your portrait of Miss Melody is a perfect likeness. You have captured her in every way imaginable; even the glamour that you placed on the portrait makes her hair move in just the right way. Oh, Mr. Vincent, have you seen this portrait? Do you not agree with me?”

Mr. Vincent stopped with his pencil held over the page for a long moment. His tongue wet his lips. “Perfection is different to every viewer. I will agree that the portrait is a remarkable likeness.”

“But not perfect?”

Jane could stand no more of this. “You flatter me, Beth, but it is not perfect. Do not press Mr. Vincent any further. I assure you that I know of several answers that he could make to explain how it is lacking, and we have kept him from his drawing quite long enough.”

Mr. Vincent closed his sketchbook. “Not at all. This has been a stimulating conversation.”

In response, Mr. Dunkirk bowed his head. “It has indeed. If you are finished here, then perhaps you would care to join us at Robinsford Abbey to continue it?”

“Thank you. I accept.”

Jane twisted the reins in her hands as Mr. Vincent clambered over the fencerow. “Alas, I am afraid that I must decline. I am expected at home and have left my mother alone too long.”

Though the Dunkirks protested, Jane felt that spending another minute as a subject of comparison to the talented Mr. Vincent was intolerable. She kept her face placid, though, and focused on her concern for her mother. Mr. Vincent agreed to meet the Dunkirks later, after they saw Jane back to Long Parkmead.

Leaving Mr. Vincent at the fence, they turned the horses to Long Parkmead, impressing Jane with the speed by which they were able to cover the distance between their two estates. It felt as if no time had elapsed between her stated interest in returning home and when they arrived at the sweep.

Mr. Dunkirk dismounted to hand Jane down from Daisy. She felt as light as an infant as he almost lifted her from the saddle and set her on the ground. Standing on her own, she felt heavy and stiff.

“I trust we did not discomfit you.” Mr. Dunkirk pressed her hand, his voice low. “My sister is too forthright at times.”

“You need have no concern.” The sound of her heartbeat rang in her ears. Jane turned to Beth, lest she be overcome by his closeness. “May I call tomorrow?”