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Contents (55)
  1. Shades of Milk and Honey
  2. Table of Contents
  3. One
  4. Jasmine and Honeysuckle
  5. Two
  6. Doves and Roses
  7. Three
  8. Nymphs at the Ball
  9. Four
  10. Neighbours and Salts
  11. Five
  12. Art and Glamour
  13. Six
  14. Strawberries and Bonnets
  15. Seven
  16. Nymph on the Hill
  17. Eight
  18. Flowers and Novels
  19. Nine
  20. A Tonic in the Maze
  21. Ten
  22. The Broken Bridge
  23. Eleven
  24. A Dinner Invitation
  25. Twelve
  26. Beast and Beauty
  27. Thirteen
  28. The Beast Upset
  29. Fourteen
  30. Curiosity Unrequited
  31. Fifteen
  32. A Book and a Gift
  33. Sixteen
  34. Change and Fury
  35. Seventeen
  36. Leaves and Confession
  37. Eighteen
  38. Order and Disarray
  39. Nineteen
  40. Trust and Distractions
  41. Twenty
  42. Packing and Discovery
  43. Twenty-one
  44. Wolves and Muses
  45. Twenty-two
  46. Leaving the Maze
  47. Twenty-three
  48. The Box on the Mantel
  49. Twenty-four
  50. Duels and Deals
  51. Twenty-five
  52. Snake in the Grass
  53. Twenty-six
  54. Solicitations
  55. Acknowledgments

Curious now, Jane stood and ceded her place back to Miss Emily Marchand; then she slipped across the hall into the dining room. The servants had already done their duty, clearing the plates, cutlery, and linens from the table, leaving only the massive wood structure in the middle of the apparent glade.

Jane paced around the perimeter of the room, looking for a “her” among the trees and flowers of the glamural. On her second perusal, she suddenly spotted a face in the bark of a tree and understood who “she” was. The tree was a laurel, and the face, nearly obscured by the bark closed around her, was Daphne, as Jane had rendered her during their tableau vivant, or viewed another way, Mr. Vincent had rendered Melody in glamoured wood. Jane stopped, transfixed by the tree and its subtle compliment, though she could not say with any certainty if the compliment was intended for her or for her sister. She stared at the face, at the mix of relief and fear which he had captured in the features, and felt as if the nymph might open its eyes and observe her at any moment. The breeze that Mr. Vincent had placed in the room moved the tree, giving the nymph the illusion of breath. Jane watched until she became worried that she would be missed in the drawing room.

At the threshold of the drawing room, she stopped, arrested by the sound of her own name. Mr. Buffington was laughing and said, “Plain Jane? I should judge her fortunate if she were only plain!”

This provoked a round of merriment from his listeners, so near the door that it was impossible for Jane to enter without notice. Her cheeks burned and tears pressed against her eyes. If she had taken Melody’s advice and played with glamour, he would not say such things. It did not matter; she knew it did not; and yet, she could not bring herself to cross that threshold and face their attempt to conceal the conversation. Jane stumbled back, her sight dimmed by tears, and retreated to the dining room.

Twelve

Beast and Beauty

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Decrying herself as a weak and vain girl, Jane struggled to restrain her emotions. It did not signify that Mr. Buffington found her less than plain. He was not a man whose attentions she wanted, and so his opinion of her did not matter.

However little she thought of Mr. Buffington’s opinion, or of his unseemly attitude in mocking her, some part of her insisted that it was true, and that he must not be the only one who held that opinion. Was it not likely that Mr. Dunkirk also thought she would be lucky to be “only plain”? Had not Jane herself indulged in vanity by using glamour to shorten her nose? Miss FitzCameron did so regularly, and it had done her no harm in the eyes of her suitors, but Jane, plain Jane, in her honesty and integrity, was mocked for an accident of birth over which she had little control.