Back Shades of Milk and Honey Save as PDF
Contents ( 55)
  1. Shades of Milk and Honey
  2. Table of Contents
  3. One
  4. Jasmine and Honeysuckle
  5. Two
  6. Doves and Roses
  7. Three
  8. Nymphs at the Ball
  9. Four
  10. Neighbours and Salts
  11. Five
  12. Art and Glamour
  13. Six
  14. Strawberries and Bonnets
  15. Seven
  16. Nymph on the Hill
  17. Eight
  18. Flowers and Novels
  19. Nine
  20. A Tonic in the Maze
  21. Ten
  22. The Broken Bridge
  23. Eleven
  24. A Dinner Invitation
  25. Twelve
  26. Beast and Beauty
  27. Thirteen
  28. The Beast Upset
  29. Fourteen
  30. Curiosity Unrequited
  31. Fifteen
  32. A Book and a Gift
  33. Sixteen
  34. Change and Fury
  35. Seventeen
  36. Leaves and Confession
  37. Eighteen
  38. Order and Disarray
  39. Nineteen
  40. Trust and Distractions
  41. Twenty
  42. Packing and Discovery
  43. Twenty-one
  44. Wolves and Muses
  45. Twenty-two
  46. Leaving the Maze
  47. Twenty-three
  48. The Box on the Mantel
  49. Twenty-four
  50. Duels and Deals
  51. Twenty-five
  52. Snake in the Grass
  53. Twenty-six
  54. Solicitations
  55. Acknowledgments

“Should we go back?” Newly aware of her friend’s unease on horseback, Beth was anxious to guard her comfort.

“No, the day is pleasant yet. And though it surprizes me to admit this, I am enjoying the ride. My nursemaid is taking splendid care of me.”

“Are you certain?

Jane said that she was. Mr. Dunkirk turned his horse’s head to ride along the side of the hedgerow. For a time, the three of them ambled together, talking idly of the sorts of easy topics which a pleasant day inspires.

As the hedgerow turned, they spied Mr. Vincent sketching under a shaded patch on the far side. A quicksilver of unease flourished through Jane’s joints. They had come upon him while he was engaged in the very activity in which he least appreciated company.

Mr. Dunkirk hailed the glamourist, who, much to Jane’s surprize, smiled upon spying him. By the word “smile,” make no mistake that Mr. Vincent bared his teeth or in any other way effused, but the slight upturn of his lips warmed his face and gave ample evidence of a sincere pleasure at their presence.

Or, rather, at the Dunkirks’ presence, for Jane detected a slight compression in his jaw when he spied her. No doubt he had wished to see her sister. Nonetheless, he bowed correctly and shewed no other sign of displeasure.

Beth said, “What a fine day for drawing. You must be in raptures about the light. Truly I can think of nothing that mars the day.”

“If you discount the bugs and the heat, then yes, it is a fine day.” He returned his attention to his sketchbook and continued drawing, as if expecting them to leave shortly.

Laughing, Beth said, “You would find something to complain about in Paradise.”

“I do not complain about flaws; I merely note them.” His gaze lifted from the page for a moment to look at Jane. “I believe this is a trait belonging to all artists. Do you agree, Miss Ellsworth?”

Her heart sped unaccountably at the challenge in his gaze. “In part, which I suspect proves your point. I think it is difficult for an artist to view something without an eye to improving it.”

Mr. Dunkirk said, “So would you then also find the flaws in Paradise?”

“I do not know. One would think that by its very nature, Paradise must embody perfection. Thus if one were to find flaws, it must not be Paradise. But I have often thought that the juxtaposition of the perfect with the flawed is the only thing which allows us to appreciate perfection.”

Mr. Vincent nodded but said nothing; his pencil continued to move across the page. Jane cast about, looking for the thing which held his interest so completely. Beyond them, a gnarled apple tree twisted in a most picturesque manner, the branches seeming to have been pruned by a heavenly gardener into a pleasing shape.

Beth wrinkled her nose. “Mr. Vincent, I do not notice you enjoying the day any more because of the bugs and heat.”