Back Scabby Queen
Chapters (43)
  1. Cover
  2. SCABBY QUEEN
  3. Dedication
  4. Epigraph
  5. SOME PEOPLE
  6. Q Magazine, June 1990
  7. RUTH
  8. Clio Campbell
  9. NEIL
  10. DONALD
  11. Guardian Weekend magazine, August 2010
  12. SAMMI
  13. SIMON
  14. NEIL
  15. Daily Mail, October 2016
  16. HAMZA
  17. XANTHE
  18. DONALD
  19. Q Magazine, September 2007
  20. RUTH
  21. DANNY
  22. SAMMI
  23. NEIL
  24. BBC Radio Scotland, 24 January 2018
  25. DONALD
  26. MALCOLM
  27. SAMMI
  28. Loaded, February 1996
  29. SHIV
  30. IDA
  31. Scotland on Sunday, September 2013
  32. DONALD
  33. HAMZA
  34. SAMMI
  35. ADELE
  36. NEIL
  37. The Pool, February 2018
  38. RUTH
  39. DONALD
  40. EILEEN
  41. ACKNOWLEDGEMENTS
  42. About the Author
  43. About the Publisher

This time, though, the house had filled with song as Clio came downstairs each morning. Gaelic lullabies and old pop songs echoing through the hall as she sat on the toilet. This time it had all seemed to be fixing itself.

Ruth leaned on a tree in the gloom, puckering her lips at no one, making that kissy, squeaky noise that the cat seemed to like when Clio did it. The wet bark was cold on her hand. She thought back three nights. Clio had been smiling when Ruth got home, had ushered her into a kitchen full of fresh vegetables and fancy-looking bread and explained that she’d caught the tiny bus to the next town, to the supermarket.

‘And let’s go out tonight, Ruth. Just to the pub. John was telling me there’s going to be a little gathering, with the instruments. We should go.’

Ruth was always more popular when Clio was in the village. The glamour of having been someone still hanging off her, she’d walk into the pub differently. ‘Aye, Clio,’ they’d say now, all the old regulars. If they saw Ruth in the street later, by herself, they’d stop her only to ask ‘Our Clio not with you the now, then?’

Clio could usually be persuaded to sing, too. It didn’t take much. They’d pull her into the circle by the fire, men her age or older buying the drinks ‘for you too, lass. There you go,’ as Ruth was made part of something.

She would always give them folk songs. Usually a bit of Burns, possibly some ancient ballad about a fiery lass who went her own way and ran off with a canny chiel. Usually, Ruth loved to hear Clio do the traditional stuff; that rough husk at the edges of the notes so different from the forced, trilling sopranos Ruth’s teachers had affected at school. Over the years and depending on her mood, Clio had said she’d learned to sing from old women in the Western Isles, from traveller folk who went round the villages, from the vogue in folk song in the 1970s, or from her father. She put spit and soul into her song, and the old regulars would bump their glasses on the tables in appreciation, keeping time for her to weave against.