Back Scabby Queen
Chapters (43)
  1. Cover
  2. SCABBY QUEEN
  3. Dedication
  4. Epigraph
  5. SOME PEOPLE
  6. Q Magazine, June 1990
  7. RUTH
  8. Clio Campbell
  9. NEIL
  10. DONALD
  11. Guardian Weekend magazine, August 2010
  12. SAMMI
  13. SIMON
  14. NEIL
  15. Daily Mail, October 2016
  16. HAMZA
  17. XANTHE
  18. DONALD
  19. Q Magazine, September 2007
  20. RUTH
  21. DANNY
  22. SAMMI
  23. NEIL
  24. BBC Radio Scotland, 24 January 2018
  25. DONALD
  26. MALCOLM
  27. SAMMI
  28. Loaded, February 1996
  29. SHIV
  30. IDA
  31. Scotland on Sunday, September 2013
  32. DONALD
  33. HAMZA
  34. SAMMI
  35. ADELE
  36. NEIL
  37. The Pool, February 2018
  38. RUTH
  39. DONALD
  40. EILEEN
  41. ACKNOWLEDGEMENTS
  42. About the Author
  43. About the Publisher

The fairest maid was bonnie Jean.

And ay she wrought her Mammie’s wark,

And ay she sang sae merrilie;

The blythest bird upon the bush

Had ne’er a lighter heart than she.

But hawks will rob the tender joys

That bless the little lintwhite’s nest;

And frost will blight the fairest flowers,

And love will break the soundest rest.

RUTH

Glasgow, 2020

The film was one Alison had chosen. It was a documentary, about free-diving, about men who purposefully slowed down their heart rates and repressed the instinct to breathe in order to push themselves deeper and deeper into the ocean; the sort of thing Alison liked to experience voyeuristically but would never dream of doing in real life. Ruth was curled into her shoulder on their new sofa in their new house, picking at her nails, only half-watching at first.

This man, the one they made a film about. He could have been James Bond, played by Alain Delon or a young Richard Burton. He had that reckless loner glamour that men loved in other men. He was committed to the ocean; it was his passion, his one true love. His friends, now old men, their ears full of hair, giggled that he had a girl in every port; the daughter he abandoned blinked back tears as she said she missed her papa growing up but understood that he had a higher calling.

Alison’s body tensed obligingly as the tiny silhouetted body plunged down and down and down into the blue, as the strings on the soundtrack tightened.

The man was filmed at Japanese temples, learning meditation in order to better slow his heartbeat, control his fleshliness. The girls came and went. His friends who lived near the ocean said he would come and stay with them for months at a time while planning a dive, that he never contributed to expenses but that was just his way. They seemed honoured to have assisted with his plan. In sexy honey-rust voiceover, the actor who played him in that big-budget movie in the Eighties read out the man’s writing. He wanted to be more like a dolphin. He believed human beings were capable of transcending their physical limitations; he also believed nature would have been better off without us.

The man killed himself in his seventies, alone in the house he’d built, on a cliff, on an island. Loneliness, explained his friends, his daughter. Her voice broke. That great noble sacrifice he’d made to the ocean had come at a cost. But his legacy lived on – they had started a school to teach other people his techniques. Young women who’d idolized him as children swam on underwater cameras, mermaid-free with their hair streaming out behind them.