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Contents (66)
  1. SAPPHIRE TEARS
  2. NICOLE FOX
  3. CONTENTS
  4. MAILING LIST
  5. ALSO BY NICOLE FOX
  6. SAPPHIRE TEARS
  7. JUNE
  8. KOLYA
  9. FIVE DAYS LATER
  10. JUNE
  11. KOLYA
  12. JUNE
  13. JUNE
  14. JUNE
  15. JUNE
  16. KOLYA
  17. KOLYA
  18. KOLYA
  19. JUNE
  20. JUNE
  21. JUNE
  22. KOLYA
  23. KOLYA
  24. JUNE
  25. KOLYA
  26. KOLYA
  27. KOLYA
  28. JUNE
  29. JUNE
  30. JUNE
  31. KOLYA
  32. JUNE
  33. KOLYA
  34. KOLYA
  35. JUNE
  36. JUNE
  37. KOLYA
  38. KOLYA
  39. KOLYA
  40. KOLYA
  41. JUNE
  42. JUNE
  43. KOLYA
  44. JUNE
  45. KOLYA
  46. KOLYA
  47. JUNE
  48. JUNE
  49. KOLYA
  50. KOLYA
  51. KOLYA
  52. JUNE
  53. KOLYA
  54. JUNE
  55. JUNE
  56. JUNE
  57. KOLYA
  58. JUNE
  59. JUNE
  60. KOLYA
  61. KOLYA
  62. KOLYA
  63. EPILOGUE: JUNE
  64. ONE YEAR LATER
  65. EXTENDED EPILOGUE: KOLYA
  66. FIFTEEN YEARS LATER

It’s better this way. Cleaner. Simpler.

I extend my hand to her. “Come on. Let’s go inside.”

She takes my hand and we walk up the broad stone steps together. As soon as we reach the top of the landing, my lead contractor, Desmond, catches sight of us. He breaks off the conversation he’s having with some of his workers and comes scurrying over.

“Mr. Uvarov!” he says enthusiastically. “How nice to see you again. It’s been some time.”

“Business has occupied most of my time lately,” I explain as Desmond’s eyes veer towards June. “June, this is Desmond Mendez, my lead contractor. Desmond, this is June Cole—my fiancée.”

A part of me half expects her to protest at my choice of introduction, but she shows no sign of it.

“How wonderful,” Desmond exclaims, shaking June’s hand. “It’s very nice to meet you, Ms. Cole.”

“Please, call me June.”

“June it is.” He beams up at me. “I know it doesn’t seem like it from out here, but we have made a lot of progress. How about a little tour?”

I glance at June. “Perhaps in a little while, when June has rested—”

“No,” she interrupts. “I’m fine. Not tired at all. I’d love a tour.”

“Then off we go!” Desmond claps his hands excitedly. He acts like a golden retriever puppy half the time, but there’s no better man in the country for this kind of work.

I let him give June the spiel as we go, while my gaze roams here and there. I didn’t have a plan when I bought the place. It was just a hollow, half-baked attempt to feel close to my mother again. It felt wrong to let anyone else have it.

Desmond chatters nonstop as he guides us through the first floor of the hotel, where the heaviest renovations need to be completed. But he’s right—there has been progress. Some of the pillars have been taken down and replaced with load-bearing walls instead. We still have to maneuver around scaffolding and clear plastic tarps, but I can see the new vision taking shape, bit by bit. It will be beautiful when it’s all done.

“The mirrors for the bedrooms arrived a few days ago,” Desmond informs us. “We’re keeping them in the grand ballroom for the time being until they can get installed. It’s quite the sight, actually. Come check it out.”

He holds open one half of a huge set of mahogany double doors. When we walk into the grand ballroom, June’s jaw drops.

This room is more or less complete. The ceilings are tall enough to feel like you’ve stepped into a cathedral, and the light slanting in through the windows high overhead is diffuse and beautiful. The marble floor is endless. An ocean of swirling white and black that runs unbroken from corner to corner.

Desmond is right, though—the mirrors are truly remarkable. Hundreds of them, each one gilt-edged and flawless, lie propped against the southern wall, refracting the light like we’re swimming inside a diamond.