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Chapters (73)
  1. Cover
  2. Note to the Reader
  3. Illumination of the Martyrdom of St. Bartholomew
  4. I. abu ghraib arias
  5. The Blues of Lane McCotter
  6. (echo /ex/): “In the name of God…”
  7. Searching the Koran (Standard Operating Procedure)
  8. (echo /ex/): “In the beginning…”
  9. The Blues of Javal Davis
  10. (echo /ex/): “next day…”
  11. Public Address/Ghost Soldiers
  12. (echo /ex/): “his name is G…”
  13. The Blues of Charles Graner
  14. (echo /ex/): “On the third day…”
  15. Handling the Koran (Standard Operating Procedure)
  16. (echo /ex/): “First the man…”
  17. Document Exploitation (Standard Operating Procedure)
  18. (echo /ex/): “Now these are the generations…”
  19. The Blues of Lynddie England
  20. (echo /ex/): “me…”
  21. The Blues of Ken Davis
  22. (echo /ex/): “Now I am what I saw…”
  23. MUSLIM BURIAL (Standard Operating Procedure)
  24. (echo /ex/): “And it came to pass…”
  25. The Blues of Joe Darby
  26. (echo /ex/)
  27. II. first recitative
  28. Woman Mourning Son
  29. Recipe from the Abbasid
  30. Home Sweet Home
  31. The Iraqi Curator’s PowerPoint
  32. Black Site (Exhibit Q)
  33. Asymmetries
  34. Salaam Epigrams
  35. War Stories
  36. III. hung lyres
  37. “The new theory: not to praise too much…”
  38. “When the bombs fell, she could barely raise…”
  39. “you mute you without openings…”
  40. “Is the ear…”
  41. “in the cell of else…”
  42. “this is the air we script to lips…”
  43. “I had no names to blazon their tender…”
  44. “She asks, is that man crying…”
  45. “What does it mean, I say.”
  46. IV. second recitative
  47. Breathing Together
  48. Testimony (after Daniel Heyman)
  49. When I Was a Child, I Lived as a Child, I Said to My Dad
  50. Black Site (Exhibit I)
  51. Love Potion #42
  52. Saddam’s Fingerprints
  53. Etruscan Cista Handle
  54. Black Site (Exhibit M)
  55. A Toast (for Nawal Nasrallah)
  56. Cell/(ph)one (A simultaneity in four voices)
  57. V. homefront/removes
  58. “I hear it, at times, even in the wind.”
  59. “was taken was rapidly…”
  60. “What consequence is a body.”
  61. “tried hanging myself…”
  62. “I was planning my lesson on imagery…”
  63. “taken to outside court…”
  64. “In the wake of.”
  65. “I suspended upside…”
  66. “You look at me / looking at you.”
  67. “so I could pass the time… ”
  68. “As if, somehow, I were responsible.”
  69. <hover to see video>
  70. “On the flight overseas…”
  71. “I did not know my…”
  72. Compline
  73. Notes

of bodies jamming the crossroads, im

-mobile sculpture of

pure fact, dangling odd-angled & earth

-bound us.

Salaam Epigrams

War Stories

War Stories

The fitful sleep of steak and silver. We

man the monitors of dreaming, on this outpost

of fatherhood. The battlements of silence.

A friend opens a bottle of red. We’ve lived

in this dome so long it seems like freedom.

We know the crackle of distant gunfire

heightened by stereo, the plith of dust,

each stray bullet pirouetting in slo-mo.

Our fathers and brothers wear the flak jacket

of medal and shrapnel. We don the softness

of palms, the odor of diaper wipes. Somewhere

outside, someone’s brother’s buried

a box he won’t tell us where. Inside the box

is. We gird the landscape in the soundtrack

of earbuds, but inside the box is a baby

radio hissing. Inside is the rattle unjawed.

In the rings of our suburbs, outside the zone

of ground zeroes. The baby is stirring, not

crying. Inside the well of our glasses,

the smutch of discernable breathing.

III. hung lyres

“The new theory: not to praise too much…”

@

The new theory: not to praise too much, lest the child lose her inner

sense of what pleasures, the listening tuned inward.

In silence before sleep, looking up to her ceiling, four years in her

mind, she says: someone is telling the story of our life.

I see her great-grandmother in her brown eyes, in her roil of curls.

I don’t know who it is.

In the woods of her wander, she.

They will be telling it our whole life.

“When the bombs fell, she could barely raise…”

@

When the bombs fell, she could barely raise

her pendulous head, wept shrapnel

until her mother capped the fire

with her breast. She teetered

on the highwire of herself. She

lay down & the armies retreated, never

showing their backs. When she unlatched

from the breast, the planes took off again.

Stubborn stars refused to fall…

“you mute you without openings…”

@

you mute you without openings

enwombed you greedy to eat the fruit of light

to swallow elixirs of sound

marooned you in that watery egg that mother

voice a constant hum above

this is the air you could & ample be

everyone waking to sirens

the arc & com

motion of glass released from its bottle

this is aria of nightfall that sets the anvil

to tremble the temple behind the temples

when you emerged not mouth or fingers but cries

& whorls & folds to hold sound in

the first thing I saw was your ear

“Is the ear…”

“in the cell of else…”

@

In the cell of else / in the pitch-white

someone’s hands shackled between ankles

in the nights & sunny days keeping the clouds

shaking the rib cage & no way

to keep the music from entering & breaking

the bodies hit / Let the bodies hit the / Barney

is a dinosaur / this is the touching without being

touched / this is the being without