Back Safe in My Arms Save as PDF
Chapters (51)
  1. Cover
  2. Praise for Sara Shepard
  3. Also by Sara Shepard
  4. Dedication
  5. PART ONE
  6. —
  7. One
  8. Two
  9. Three
  10. Four
  11. Five
  12. Six
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. Eleven
  18. Twelve
  19. Thirteen
  20. PART TWO
  21. Piper
  22. Fourteen
  23. Fifteen
  24. Sixteen
  25. Seventeen
  26. Piper
  27. Eighteen
  28. Piper
  29. Nineteen
  30. Twenty
  31. Twenty-One
  32. Twenty-Two
  33. Twenty-Three
  34. Piper
  35. Twenty-Four
  36. Twenty-Five
  37. Piper
  38. Twenty-Six
  39. Twenty-Seven
  40. Twenty-Eight
  41. Twenty-Nine
  42. Thirty
  43. Thirty-One
  44. Thirty-Two
  45. Thirty-Three
  46. Piper
  47. Thirty-Four
  48. Epilogue
  49. Acknowledgments
  50. About the Author
  51. What’s next onyour reading list?

But that wasn’t the only reason she couldn’t say yes to Lane’s proposal, despite the fact that she really wanted to. Some of what she’d told Lane was a lie out of self-preservation. If Lane knew the truth, he might change his mind about her.

But now she worried someone did know something.

She had to figure out who’d written that note.

Seven

On Wednesday morning, when Andrea stepped into the lower level where the Silver Swans offices were, there was a big video camera sitting in the hallway almost blocking her way. It was the size of a small dinosaur and had all sorts of technical buttons. Property of Raisinette Productions, it read. She gazed at it warily, remembering the documentary Piper had announced at the breakfast.

“Cool, right?” said a voice, and Andrea wheeled around to see Carson, Piper’s assistant, standing in the doorway, his hands jauntily on his hips. “It’s really happening!”

“So they’re going to film here?” Andrea asked.

“They’re just doing some tests first. They’ll film me, maybe Piper, a few of the kids . . .”

Andrea stiffened. “I don’t want my son filmed.” That was the last thing she needed—after a lifetime of cameras following her, she wanted a different life for Arthur.

Carson shrugged. “Your loss. This documentary is going to be great. A real portrait of the community. But if you don’t want to be a part . . .” He opened the door to Piper’s office. “Make yourself at home. Want some tea? We have a really good chaga.”

“I’m fine,” Andrea said, trying to keep the sharpness out of her voice. This was not, she thought, going to be a meeting over tea. She had something to say, and she didn’t want any pretense or friendliness.

“Piper will be here in a sec,” Carson said, and then walked back into his own office.

The interior of Piper’s office was all white like an Apple store. There were several shaggy rugs, and textured, monochromatic art hung on the walls, likely by famous artists, though Andrea had no idea who. Art hadn’t been her thing in college, when everyone else seemed to embrace it. Actually, all Andrea had wanted to do in her college days was either hide in her dorm and watch Melrose Place or go to dark, seedy clubs where no one recognized her. Those were really miserable times. Even after she and Christine, the part-time model/fashion student, became a couple, she felt drained and empty.

Oh, Christine. Sexy, slinky, seductive, and utterly unsuitable. “Dude, she’s the most bangable woman I’ve ever seen,” Andrea’s brother told her. Max’s approval had meant the world. If she, back then, could land a chick her brother wanted to fuck, then no one would guess what she was secretly feeling inside.