Back Safe in My Arms Save as PDF
Chapters (51)
  1. Cover
  2. Praise for Sara Shepard
  3. Also by Sara Shepard
  4. Dedication
  5. PART ONE
  6. —
  7. One
  8. Two
  9. Three
  10. Four
  11. Five
  12. Six
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. Eleven
  18. Twelve
  19. Thirteen
  20. PART TWO
  21. Piper
  22. Fourteen
  23. Fifteen
  24. Sixteen
  25. Seventeen
  26. Piper
  27. Eighteen
  28. Piper
  29. Nineteen
  30. Twenty
  31. Twenty-One
  32. Twenty-Two
  33. Twenty-Three
  34. Piper
  35. Twenty-Four
  36. Twenty-Five
  37. Piper
  38. Twenty-Six
  39. Twenty-Seven
  40. Twenty-Eight
  41. Twenty-Nine
  42. Thirty
  43. Thirty-One
  44. Thirty-Two
  45. Thirty-Three
  46. Piper
  47. Thirty-Four
  48. Epilogue
  49. Acknowledgments
  50. About the Author
  51. What’s next onyour reading list?

“Jean!” you cry when he comes on the line. “How are you? I was just asking my assistant to set up some more interviews! We’re so excited.”

There’s a long pause. You think the connection has been lost. Finally, the exec clears his throat. “Listen, I know we haven’t known each other very long, Piper.” He sounds strange. “But . . . something’s come to my attention.”

Your veins go icy. Twice this summer, you met with Jean in swanky LA eateries to pitch your case. And both those times, you feared Flora was lurking somewhere, somehow knowing you were there, ready to spill your secrets. But it never happened. You always told yourself it was because she’d been taken care of—her hands were dirty, too. But now you wonder.

Only, you can’t let on you’re scared. So you say in a bright voice, “Is everything all right, Jean?”

He sighs. “I’ve been informed about something that is kind of . . . well, concerning.”

“Concerning?” you repeat. You’re suddenly shaking. You need to call Carson. You need to mobilize.

And then Jean says it.

And you’re so startled you drop the phone.

Jean keeps talking, but you don’t really hear him. Because it’s worse than what Flora knows. Worse than what you’ve done to the parents. It’s a bad dream. Impossible. You want to leap through the phone and shake him and say, No, you’re wrong.

Instead, all you ask is who told him. You blurt it out furiously, angrily. You don’t mean to. Jean says he doesn’t know; the tip was anonymous. But he made some calls, he says, and he was able to confirm everything.

What’s the point in denying it, then? You are on the road, you realize, driving to work. You don’t even remember starting the engine.

After another awkward pause he suggests perhaps you could be the focus of the documentary—what you’re going through. “But it would be a very different documentary,” he admits. “And I doubt you could keep your position at Silver Swans.”

“No.” You step out of the car. You feel numb. “I-I can’t do that.”

“Are you sure? Because it’s certainly intriguing. Juicy, even.”

“Fuck you, then,” you hiss. “Fuck you and fuck juicy.”

But then you feel terrible for lashing out, and you whisper a whole bunch of things you’d promised yourself you’d never say. You are standing in the parking lot now. Thank God no one is around. You make him swear not to tell anyone. You feel you might start to cry. “Fuck you,” you whisper

“Piper,” Jean says, “I’ll keep this to myself. I promise. We can say we parted ways because of creative differences. That okay with you?”