Back Safe in My Arms
Chapters (51)
  1. Cover
  2. Praise for Sara Shepard
  3. Also by Sara Shepard
  4. Dedication
  5. PART ONE
  6. —
  7. One
  8. Two
  9. Three
  10. Four
  11. Five
  12. Six
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. Eleven
  18. Twelve
  19. Thirteen
  20. PART TWO
  21. Piper
  22. Fourteen
  23. Fifteen
  24. Sixteen
  25. Seventeen
  26. Piper
  27. Eighteen
  28. Piper
  29. Nineteen
  30. Twenty
  31. Twenty-One
  32. Twenty-Two
  33. Twenty-Three
  34. Piper
  35. Twenty-Four
  36. Twenty-Five
  37. Piper
  38. Twenty-Six
  39. Twenty-Seven
  40. Twenty-Eight
  41. Twenty-Nine
  42. Thirty
  43. Thirty-One
  44. Thirty-Two
  45. Thirty-Three
  46. Piper
  47. Thirty-Four
  48. Epilogue
  49. Acknowledgments
  50. About the Author
  51. What’s next onyour reading list?

Begrudgingly, Graham sat down behind the wheel. As he backed out, Lauren glanced once more at the Silver Swans building, then at Matthew’s reflection in the little baby mirror affixed to the back seat. “How was it?” she cooed to him. “Did you like your teachers?”

Matthew answered by waggling a Mickey Mouse rattle. The kid was Mickey obsessed—when he was upset, no other blanket, stuffed animal, or song would do.

Then Lauren looked at Graham, realizing something. “How did you know the director’s name was Piper?”

Graham kept his eyes on the road. “Because we’ve had whole conversations about her. You read me her biography. You don’t remember?”

Lauren felt a swoop in her chest. “Did I?”

“Just yesterday, hun.” Graham tapped her temple good-naturedly. “Mom brain!”

Lauren hated the term mom brain, but maybe it was accurate. Things were slipping past her far more often since she’d given birth. This particular memory, the deep dive into Piper Jovan—it felt ephemeral, like it had only happened in a dream. But how else did she know Piper had been at Silver Swans for five years, that she’d won awards, and that she had a son?

As he was taking the turnoff to a busier road, Graham’s phone pinged, and he glanced quickly at the screen. “Oh, shit. Gracie wants me to come in today after all.”

Lauren felt her stomach dip. “Ugh. Are you serious?”

Gracie Lord was Graham’s quasi-new boss, the female show runner of the hit network comedy Ketchup, which shot in Los Angeles. When Lauren and Graham met two years ago, when they were both living in Silver Lake, Graham was an aspiring screenwriter with a degree in the craft from UCLA, picking up bartending shifts to make ends meet. He’d charmed Lauren from behind the bar at her regular dinner haunt up the street. He was witty and confident and good-looking with his height and deep-set eyes and scruffy beard, the kind of guy she figured would go for a young, blond, dime-a-dozen LA stereotype, and Lauren had been flattered that he’d chosen her: four inches too short, about fifteen pounds heavier than the city’s median, and thirty-eight years old.

Graham always said she was beautiful. And that he loved her because she was smart, and honest, and made bold decisions. He loved her always-laughing family from Massachusetts, how her childhood was all about homemade granola bars and a tangle of shoes in the front foyer and her mother penning a chore schedule Sunday night. “It’s like a seventies sitcom,” he said wistfully. Graham had grown up with a single mother in a little town in central California; his extended family were bone-dry, serious Evangelical Christians whose interests and values were alien to him.