Chapters (209)
- Title Page
- Copyright Notice
- Dedication
- PART 1
- CHAPTER 1
- CHAPTER 2
- CHAPTER 3
- INTERLUDE 1
- CHAPTER 4
- INTERLUDE 2
- CHAPTER 5
- INTERLUDE 3
- CHAPTER 6
- CHAPTER 7
- INTERLUDE 4
- CHAPTER 8
- CHAPTER 9
- CHAPTER 10
- CHAPTER 11
- CHAPTER 12
- CHAPTER 13
- INTERLUDE 5
- CHAPTER 14
- INTERLUDE 6
- PART 2
- CHAPTER 15
- INTERLUDE 7
- CHAPTER 16
- CHAPTER 17
- CHAPTER 18
- CHAPTER 19
- INTERLUDE 8
- CHAPTER 20
- CHAPTER 21
- CHAPTER 22
- CHAPTER 23
- CHAPTER 24
- CHAPTER 25
- CHAPTER 26
- CHAPTER 27
- CHAPTER 28
- CHAPTER 29
- CHAPTER 30
- CHAPTER 31
- CHAPTER 32
- INTERLUDE 9
- CHAPTER 33
- CHAPTER 34
- CHAPTER 35
- PART 3
- CHAPTER 36
- CHAPTER 37
- CHAPTER 38
- CHAPTER 39
- CHAPTER 40
- CHAPTER 41
- CHAPTER 42
- CHAPTER 43
- CHAPTER 44
- CHAPTER 45
- CHAPTER 46
- INTERLUDE 10
- CHAPTER 47
- CHAPTER 48
- CHAPTER 49
- CHAPTER 50
- CHAPTER 51
- INTERLUDE 11
- CHAPTER 52
- CHAPTER 53
- CHAPTER 54
- CHAPTER 55
- CHAPTER 56
- CHAPTER 57
- INTERLUDE 12
- CHAPTER 58
- CHAPTER 59
- CHAPTER 60
- CHAPTER 61
- CHAPTER 62
- CHAPTER 63
- CHAPTER 64
- CHAPTER 65
- CHAPTER 66
- CHAPTER 67
- CHAPTER 68
- CHAPTER 69
- CHAPTER 70
- CHAPTER 71
- PART 4
- CHAPTER 72
- CHAPTER 73
- CHAPTER 74
- CHAPTER 75
- INTERLUDE 13
- CHAPTER 76
- CHAPTER 77
- CHAPTER 78
- CHAPTER 79
- CHAPTER 80
- CHAPTER 81
- INTERLUDE 14
- CHAPTER 82
- CHAPTER 83
- CHAPTER 84
- CHAPTER 85
- CHAPTER 86
- PART 5
- CHAPTER 87
- CHAPTER 88
- CHAPTER 89
- CHAPTER 90
- CHAPTER 91
- CHAPTER 92
- CHAPTER 93
- CHAPTER 94
- CHAPTER 95
- CHAPTER 96
- CHAPTER 97
- CHAPTER 98
- CHAPTER 99
- CHAPTER 100
- CHAPTER 101
- CHAPTER 102
- CHAPTER 103
- CHAPTER 104
- CHAPTER 105
- CHAPTER 106
- CHAPTER 107
- CHAPTER 108
- CHAPTER 109
- CHAPTER 110
- CHAPTER 111
- CHAPTER 112
- CHAPTER 113
- CHAPTER 114
- CHAPTER 115
- CHAPTER 116
- PART 6
- CHAPTER 117
- CHAPTER 118
- CHAPTER 119
- CHAPTER 120
- CHAPTER 121
- CHAPTER 122
- CHAPTER 123
- CHAPTER 124
- CHAPTER 125
- CHAPTER 126
- CHAPTER 127
- CHAPTER 128
- CHAPTER 129
- CHAPTER 130
- CHAPTER 131
- CHAPTER 132
- CHAPTER 133
- CHAPTER 134
- CHAPTER 135
- CHAPTER 136
- CHAPTER 137
- CHAPTER 138
- CHAPTER 139
- CHAPTER 140
- CHAPTER 141
- CHAPTER 142
- PART 7
- CHAPTER 143
- CHAPTER 144
- CHAPTER 145
- CHAPTER 146
- CHAPTER 147
- CHAPTER 148
- CHAPTER 149
- CHAPTER 150
- CHAPTER 151
- CHAPTER 152
- CHAPTER 153
- CHAPTER 154
- CHAPTER 155
- CHAPTER 156
- CHAPTER 157
- CHAPTER 158
- CHAPTER 159
- CHAPTER 160
- CHAPTER 161
- CHAPTER 162
- CHAPTER 163
- CHAPTER 164
- CHAPTER 165
- CHAPTER 166
- CHAPTER 167
- CHAPTER 168
- CHAPTER 169
- CHAPTER 170
- CHAPTER 171
- CHAPTER 172
- CHAPTER 173
- CHAPTER 174
- CHAPTER 175
- CHAPTER 176
- CHAPTER 177
- CHAPTER 178
- CHAPTER 179
- EPILOGUE
- THE RELENTLESS PLAYLIST
- Acknowledgments
- Also by Jonathan Maberry
- ABOUT THE AUTHOR
- Newsletter Sign-up
Toys fell sideways, his elbow on fire, and his head ringing so loudly it was like church bells on Christmas morning. But he knew he could not stop, so he got to his knees and crawled to his enemy, swung a foot over so he straddled the man at midback, looped an arm under Stafford’s head, and cinched it tightly around the neck. But he was not trying to choke the man. Instead, he clamped his other hand around the wrist of the looped arm and simply sat down. He did it as a limp drop and then jerked backward with all his strength. The motion jerked Stafford’s head up and back. Too far back and too quickly. There was a double crack-crack as the man’s neck broke and then the spine between the shoulder blades.
Toys let go and collapsed onto the floor beside the man he’d just killed.
Violin shot a Fixer four times before the Sandman took him down, but he collapsed before he reached her, his hands brushing her boot as he landed facedown on the floor.
Behind him, a tall, slender Black woman and a shorter, heavier white woman were fighting like cats, snarling and biting and rolling around on the floor. Violin shot them, too.
It occurred to her that it would simply be easier to shoot everyone instead of trying to pick who was a Fixer, who was a duped militiaman or radical, and who was a civilian caught up by the hysteria of violence. She had six magazines for her gun, each of which carried thirty darts. That was more than enough to put a third of the room down.
So, she began firing.
Violin’s weapon of choice was a sniper rifle, and she had been the one to train Belle in the art. But Lilith had required that she be proficient with every kind of gun, long or short. Just as she was highly skilled with any edged weapon. Years of experience had given her timing and savvy and refined her battlefield judgment.
And so she put her back to a wall and targeted the people with guns first, taking them down before they were aware of her. Then, as bodies began to pile up around her, she shot whoever was closest and the person directly behind them.
Civilians scattered, and she let them go. The patsy militants tried to outshoot her, but she was the better, faster, more accurate, and less emotional shot.
Fixers took several rounds each, but she had darts to spare.
It was only after she’d built a landscape of drugged bodies that she saw two distinct things that broke her concentration.
To her left, Toys sprawled next to a clearly dead Michael Augustus Stafford. Oddly, Toys reached up and patted Stafford’s cheek before that hand flopped back down.