Contents ( 120)
- RED POTTAGE
- * * *
- MARY CHOLMONDELEY
- *
- Contents
- *
- *
- Chapter I
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- Chapter II
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- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- Chapter XIV
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- Chapter XV
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- Chapter XVI
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- Chapter XVII
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- Chapter XVIII
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- Chapter XIX
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- Chapter XX
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- Chapter XXI
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- Chapter XXII
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- Chapter XXIII
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- Chapter XXIV
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- Chapter XXV
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- Chapter XXVI
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- Chapter XXVII
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- Chapter XXVIII
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- Chapter XXIX
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- Chapter XXX
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- Chapter XXXI
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- Chapter XXXII
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- Chapter XXXIII
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- Chapter XXXIV
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- Chapter XXXV
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- Chapter XXXVI
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- Chapter XXXVII
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- Chapter XXXVIII
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- Chapter XXXIX
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- Chapter XL
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- Chapter XLI
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- Chapter XLII
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- Chapter XLIII
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- Chapter XLIV
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- Chapter XLV
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- Chapter XLVI
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- Chapter XLVII
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- Chapter XLVIII
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- Chapter XLIX
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- Chapter L
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- Chapter LI
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- Chapter LII
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- Chapter LIII
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- Conclusion
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- Postscript
- *
- * * *
- Endnotes
- *
It is always the unexpected that happens. As Rachel's half-absent eyes passed over the group in the brilliantly lighted drawing-room her heart reared, without warning, and fell back upon her. She had only just sufficient presence of mind to prevent her hand pressing itself against her heart. He was there; he was before her—the man whom she had loved with passion for four years, and who had tortured her.
Mr. Harvey (the great Mr. Harvey) strode forward, and Rachel found her hand engulfed in a large soft hand, which seemed to have a poached egg in the palm.
"This is a pleasure to which I have long looked forward," murmured the great man, all cuff and solitaire, bending in what he would have termed a "chivalrous manner" over Rachel's hand; while Doll, standing near, wondered drearily "why these writing chaps were always such bounders."
Rachel passed on to greet Miss Barker, standing on the hearthrug, this time in magenta velveteen, but presumably still tired of the Bible, conversing with Rachel's former lover, whose eyes were on the floor and whose hand gripped the mantel-piece. He had seen her—recognized her.
"May I introduce Mr. Tristram?" said Sybell to Rachel.
"We have met before," said Rachel, gently, as he bowed without looking at her, and she put out her hand.
He was obliged to touch it, obliged to meet for one moment the clear, calm eyes that had once held boundless love for him, boundless trust in him; that had, as he well knew, wept themselves half blind for him.
Mr. Tristram was one of the many who judge their actions in the light of after-circumstances, and who towards middle-age discover that the world is a treacherous world. He had not been "in a position to marry" when he had fallen in love with Rachel. But he had been as much in love with her as was consistent with a permanent prudential passion for himself and his future—that future which the true artist must ever preserve untrammelled. "High hopes faint on a warm hearthstone," etc. He had felt keenly breaking with Rachel. Later on, when a tide of wealth flowed up to the fifth floor of Museum Buildings, he had recognized, for the first time, that he had made a great mistake in life. To the smart of baffled love had been added acute remorse, not so much for wealth missed as for having inflicted upon himself and upon her a frightful and unnecessary pain. But how could he have foreseen such a thing? How could he tell? he had asked himself, in mute stupefaction, when the news reached him. What a cheat life was! What a fickle jade was Fortune!
Since the memorable day when Rachel had found means to lay the ghost that haunted her he had made no sign.
"I hardly expected you would remember me," he said, catching at his self-possession.
"I have a good memory," she said, aware that Miss Barker was listening and that Hugh was bristling at her elbow. "And the little Spanish boy whom you were so kind to, and who lodged just below me in Museum Buildings, has not forgotten either. He still asks after the 'Cavalier.'"