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Contents (120)
  1. RED POTTAGE
  2. * * *
  3. MARY CHOLMONDELEY
  4. *
  5. Contents
  6. *
  7. *
  8. Chapter I
  9. *
  10. Chapter II
  11. *
  12. Chapter III
  13. *
  14. Chapter IV
  15. *
  16. Chapter V
  17. *
  18. Chapter VI
  19. *
  20. Chapter VII
  21. *
  22. Chapter VIII
  23. *
  24. Chapter IX
  25. *
  26. Chapter X
  27. *
  28. Chapter XI
  29. *
  30. Chapter XII
  31. *
  32. Chapter XIII
  33. *
  34. Chapter XIV
  35. *
  36. Chapter XV
  37. *
  38. Chapter XVI
  39. *
  40. Chapter XVII
  41. *
  42. Chapter XVIII
  43. *
  44. Chapter XIX
  45. *
  46. Chapter XX
  47. *
  48. Chapter XXI
  49. *
  50. Chapter XXII
  51. *
  52. Chapter XXIII
  53. *
  54. Chapter XXIV
  55. *
  56. Chapter XXV
  57. *
  58. Chapter XXVI
  59. *
  60. Chapter XXVII
  61. *
  62. Chapter XXVIII
  63. *
  64. Chapter XXIX
  65. *
  66. Chapter XXX
  67. *
  68. Chapter XXXI
  69. *
  70. Chapter XXXII
  71. *
  72. Chapter XXXIII
  73. *
  74. Chapter XXXIV
  75. *
  76. Chapter XXXV
  77. *
  78. Chapter XXXVI
  79. *
  80. Chapter XXXVII
  81. *
  82. Chapter XXXVIII
  83. *
  84. Chapter XXXIX
  85. *
  86. Chapter XL
  87. *
  88. Chapter XLI
  89. *
  90. Chapter XLII
  91. *
  92. Chapter XLIII
  93. *
  94. Chapter XLIV
  95. *
  96. Chapter XLV
  97. *
  98. Chapter XLVI
  99. *
  100. Chapter XLVII
  101. *
  102. Chapter XLVIII
  103. *
  104. Chapter XLIX
  105. *
  106. Chapter L
  107. *
  108. Chapter LI
  109. *
  110. Chapter LII
  111. *
  112. Chapter LIII
  113. *
  114. Conclusion
  115. *
  116. Postscript
  117. *
  118. * * *
  119. Endnotes
  120. *

"James," said Mrs. Gresley, looking at her priest with tears of admiration in her eyes, "I shall never be good like you, so you need not expect it. How you can be so generous and patient with her I don't know. It passes me."

"We must learn to make allowances for each other," said Mr. Gresley, in his most affectionate cornet, drawing his tired, tearful little wife down beside him on the sofa. And he made some fresh tea for her, and waited on her, and she told him about the children's boots and the sole, and he told her about a remarkable speech he had made at the chapter meeting, and a feeling that had been borne in on him on the way home that he should shortly write something striking about Apostolic Succession. And they were happy together; for though he sometimes reproved her as a priest if she allowed herself to dwell on the probability of his being made a Bishop, he was very kind to her as a husband.

Chapter XV

*

"Beware of a silent dog and still water."

If you are travelling across Middleshire on the local line between Southminster and Westhope, after you have passed Wilderleigh with its gray gables and park wall, close at hand you will perceive to nestle (at least, Mr. Gresley said it nestled) Warpington Vicarage; and perhaps, if you know where to look, you will catch a glimpse of Hester's narrow bedroom window under the roof. Half a mile farther on Warpington Towers, the gorgeous residence of the Pratts, bursts into view, with flag on turret flying, and two tightly bitted rustic bridges leaping high over the Drone. You cannot see all the lodges of Warpington Towers from the line, which is a source of some regret to Mr. Pratt; but if he happens to be travelling with you he will point out two of them, chaste stucco Gothic erections with church windows, and inform you that the three others are on the northern and eastern sides, vaguely indicating the directions of Scotland and Ireland.

And the Drone, kept in order on your left by the low line of the Slumberleigh hills, will follow you and leave you, leave you and return all the way to Westhope. You are getting out at Westhope, of course, if you are a Middleshire man; for Westhope is on the verge of Middleshire, and the train does not go any farther—at least, it only goes into one of the insignificant counties which jostle each other to hold on to Middleshire, unknown Saharas, where passengers who oversleep themselves wake to find themselves cast away.

Westhope Abbey stands in its long, low meadows and level gardens, close to the little town, straggling red roof above red roof, up its steep cobbled streets.

Down the great central aisle you may walk on mossy stones between the high shafts of broken pillars under the sky. God's stars look down once more where the piety of man had for a time shut them out. Through the slender tracery of what was once the east window, instead of glazed saint and crucifix, you may see the little town clasping its hill.