Contents ( 120)
- RED POTTAGE
- * * *
- MARY CHOLMONDELEY
- *
- Contents
- *
- *
- Chapter I
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- Chapter II
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- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
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- Chapter XII
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- Chapter XIII
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- Chapter XIV
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- Chapter XV
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- Chapter XVI
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- Chapter XVII
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- Chapter XVIII
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- Chapter XIX
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- Chapter XX
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- Chapter XXI
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- Chapter XXII
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- Chapter XXIII
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- Chapter XXIV
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- Chapter XXV
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- Chapter XXVI
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- Chapter XXVII
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- Chapter XXVIII
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- Chapter XXIX
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- Chapter XXX
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- Chapter XXXI
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- Chapter XXXII
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- Chapter XXXIII
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- Chapter XXXIV
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- Chapter XXXV
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- Chapter XXXVI
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- Chapter XXXVII
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- Chapter XXXVIII
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- Chapter XXXIX
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- Chapter XL
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- Chapter XLI
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- Chapter XLII
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- Chapter XLIII
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- Chapter XLIV
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- Chapter XLV
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- Chapter XLVI
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- Chapter XLVII
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- Chapter XLVIII
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- Chapter XLIX
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- Chapter L
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- Chapter LI
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- Chapter LII
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- Chapter LIII
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- Conclusion
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- Postscript
- *
- * * *
- Endnotes
- *
But only after a year of conflict was she suffered to bury it—after a year during which the ghost of her dead ever came back, and came back to importune her vainly with its love. Rachel's poor neighbors grew accustomed to see the tall, handsome, waiting figure which always returned and returned, but which at last, after one dreadful day, was seen no more in Museum Buildings. Rachel had laid the ghost at last. But the conflict remained graven in her face.
*
On a certain cold winter morning Hester darted across the wet pavement from the brougham to the untidy entrance of Museum Buildings where Rachel still lived. It was a miserable day. The streets and bare trees looked as if they had been drawn in in ink, and the whole carelessly blotted before it was dry. All the outlines were confused, blurred. The cold penetrated to the very bones of the shivering city.
Rachel had just come in, wet and tired, bringing with her a roll of manuscript to be transcribed. A woman waiting for her on the endless stone stairs had cursed her for taking the bread out of her mouth.
"He always employed me till you came," she shrieked, shaking her fist at her, "and now he gives it all to you because you're younger and better-looking."
She gave the woman as much as she dared spare, the calculation did not take long, and went on climbing the stairs.
Something in the poor creature's words, something vague but repulsive in her remembrance of the man who paid her for the work by which she could barely live, fell like lead into Rachel's heart. She looked out dumbly over the wilderness of roofs. The suffering of the world was eating into her soul; the suffering of this vast travailing East London, where people trod each other down to live.
"If any one had told me," she said to herself, "when I was rich, that I lived on the flesh and blood of my fellow-creatures, that my virtue and ease and pleasure were bought by their degradation and toil and pain, I should not have believed it, and I should have been angry. If I had been told that the clothes I wore, the food I ate, the pen I wrote with, the ink I used, the paper I wrote on—all these, and everything I touched, from my soap to my match-box, especially my match-box, was the result of sweated labor, I should not have believed it, I should have laughed. But yet it is so. If I had not been rich once myself I should think as all these people do, that the rich are devils incarnate to let such things go on. They have the power to help us. We have none to help ourselves. But they never use it. The rich grind the poor for their luxuries with their eyes shut, and we grind each other for our daily bread with our eyes open. I have got that woman's work. I have struggled hard enough to get it, but, though I did not realize it, I might have known that I had only got on to the raft by pushing some one else off it."