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Contents ( 120)
  1. RED POTTAGE
  2. * * *
  3. MARY CHOLMONDELEY
  4. *
  5. Contents
  6. *
  7. *
  8. Chapter I
  9. *
  10. Chapter II
  11. *
  12. Chapter III
  13. *
  14. Chapter IV
  15. *
  16. Chapter V
  17. *
  18. Chapter VI
  19. *
  20. Chapter VII
  21. *
  22. Chapter VIII
  23. *
  24. Chapter IX
  25. *
  26. Chapter X
  27. *
  28. Chapter XI
  29. *
  30. Chapter XII
  31. *
  32. Chapter XIII
  33. *
  34. Chapter XIV
  35. *
  36. Chapter XV
  37. *
  38. Chapter XVI
  39. *
  40. Chapter XVII
  41. *
  42. Chapter XVIII
  43. *
  44. Chapter XIX
  45. *
  46. Chapter XX
  47. *
  48. Chapter XXI
  49. *
  50. Chapter XXII
  51. *
  52. Chapter XXIII
  53. *
  54. Chapter XXIV
  55. *
  56. Chapter XXV
  57. *
  58. Chapter XXVI
  59. *
  60. Chapter XXVII
  61. *
  62. Chapter XXVIII
  63. *
  64. Chapter XXIX
  65. *
  66. Chapter XXX
  67. *
  68. Chapter XXXI
  69. *
  70. Chapter XXXII
  71. *
  72. Chapter XXXIII
  73. *
  74. Chapter XXXIV
  75. *
  76. Chapter XXXV
  77. *
  78. Chapter XXXVI
  79. *
  80. Chapter XXXVII
  81. *
  82. Chapter XXXVIII
  83. *
  84. Chapter XXXIX
  85. *
  86. Chapter XL
  87. *
  88. Chapter XLI
  89. *
  90. Chapter XLII
  91. *
  92. Chapter XLIII
  93. *
  94. Chapter XLIV
  95. *
  96. Chapter XLV
  97. *
  98. Chapter XLVI
  99. *
  100. Chapter XLVII
  101. *
  102. Chapter XLVIII
  103. *
  104. Chapter XLIX
  105. *
  106. Chapter L
  107. *
  108. Chapter LI
  109. *
  110. Chapter LII
  111. *
  112. Chapter LIII
  113. *
  114. Conclusion
  115. *
  116. Postscript
  117. *
  118. * * *
  119. Endnotes
  120. *

"I will break it off," he said again. "Thank Heaven, not a soul has ever guessed it."

How could any one have guessed it?

He remembered the day when he had first met her a year ago, and had looked upon her as merely a pretty woman. He remembered other days, and the gradual building up between them of a fairy palace. He had added a stone here, she a stone there, until suddenly it became—a prison. Had he been tempter or tempted? He did not know. He did not care. He wanted only to be out of it. His better feelings and his conscience had been awakened by the first touch of weariness. His brief infatuation had run its course. His judgment had been whirled—he told himself it had been whirled, but it had really only been tweaked—from its centre, had performed its giddy orbit, and now the check-string had brought it back to the point from whence it had set out, namely, that she was merely a pretty woman.

"I will break with her gradually," he said, like the tyro he was, and he pictured to himself the wretched scenes in which she would abuse him, reproach him, probably compromise herself, the letters she would write to him. At any rate, he need not read them. Oh! how tired he was of the whole thing beforehand. Why had he been such a fool? He looked at the termination of the liaison as a bad sailor looks at an inevitable sea passage at the end of a journey. It must be gone through, but the prospect of undergoing it filled him with disgust.

A brougham passed him swiftly on noiseless wheels, and the woman in it caught a glimpse of the high-bred, clean-shaved face, half savage, half sullen, in the hansom.

"Anger, impatience, and remorse," she said to herself, and finished buttoning her gloves.

"Thank Heaven, not a soul has ever guessed it," repeated Hugh, fervently, as the hansom came suddenly to a stand-still.

In another moment he was taking Lady Newhaven's hand as she stood at the entrance of her amber drawing-room beside a grove of pink orchids.

He chatted a moment, greeted Lord Newhaven, and passed on into the crowded rooms. How could any one have guessed it? No breath of scandal had ever touched Lady Newhaven. She stood beside her pink orchids, near her fatigued-looking, gentle-mannered husband, a very pretty woman in white satin and diamonds. Perhaps her blond hair was a shade darker at the roots than in its waved coils; perhaps her blue eyes did not look quite in harmony with their blue-black lashes; but the whole effect had the delicate, conventional perfection of a cleverly touched-up chromo-lithograph. Of course, tastes differ. Some people like chromo-lithographs, others don't. But even those who do are apt to become estranged. They may inspire love, admiration, but never fidelity. Most of us have in our time hammered nails into our walls which, though they now decorously support the engravings and etchings of our maturer years, were nevertheless originally driven in to uphold the cherished, the long since discarded chromos of our foolish youth.