Contents ( 120)
- RED POTTAGE
- * * *
- MARY CHOLMONDELEY
- *
- Contents
- *
- *
- Chapter I
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- Chapter II
- *
- Chapter III
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- Chapter IV
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- Chapter V
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- Chapter VI
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- Chapter VII
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- Chapter VIII
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- Chapter IX
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- Chapter X
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- Chapter XI
- *
- Chapter XII
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- Chapter XIII
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- Chapter XIV
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- Chapter XV
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- Chapter XVI
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- Chapter XVII
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- Chapter XVIII
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- Chapter XIX
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- Chapter XX
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- Chapter XXI
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- Chapter XXII
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- Chapter XXIII
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- Chapter XXIV
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- Chapter XXV
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- Chapter XXVI
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- Chapter XXVII
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- Chapter XXVIII
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- Chapter XXIX
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- Chapter XXX
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- Chapter XXXI
- *
- Chapter XXXII
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- Chapter XXXIII
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- Chapter XXXIV
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- Chapter XXXV
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- Chapter XXXVI
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- Chapter XXXVII
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- Chapter XXXVIII
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- Chapter XXXIX
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- Chapter XL
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- Chapter XLI
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- Chapter XLII
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- Chapter XLIII
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- Chapter XLIV
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- Chapter XLV
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- Chapter XLVI
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- Chapter XLVII
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- Chapter XLVIII
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- Chapter XLIX
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- Chapter L
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- Chapter LI
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- Chapter LII
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- Chapter LIII
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- Conclusion
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- Postscript
- *
- * * *
- Endnotes
- *
The forlorn London trees, black and bare, seemed to listen too, and to cling closer to their parks and grass, as if they dimly foresaw the inevitable time coming when they too should toil, and hate, and suffer, as they saw on all sides those stunted uprooted figures toil and suffer, which had once been trees like themselves. "We shall come to it," they seemed to say, shivering in all their branches, as they peered through the iron rails at the stream of human life, much as man peers at a passing funeral.
The early night drove Hugh back to the house. He found a note, from a man who had rooms above him, enclosing a theatre ticket, which at the last moment he had been prevented using. He instantly clutched at the idea of escaping from himself for a few hours at least. He hastily changed his wet clothes, ate the food that had been prepared for him, and hurried out once more.
The play was "Julius Cæsar," at Her Majesty's. He had seen it several times, but to-night it appealed to him as it had never done before. He hardly noticed the other actors. His whole interest centred in the awful figure of Cassius, splendid in its unswerving deathless passion of a great hate and a great love. His eyes never left the ruthless figure as it stood in silence with its unflinching eyes upon its victim. Had not Lord Newhaven thus watched him, Hugh, ready to strike when the hour came.
The moment of the murder was approaching. Hugh held his breath. Cassius knelt with the rest before Cæsar. Hugh saw his hand seek the handle of his sword, saw the end of the sheath tilt upwards under his robe as the blade slipped out of it. Then came the sudden outburst of animal ferocity long held in leash, of stab on stab, the self-recovery, the cold stare at the dead figure with Cassius's foot upon its breast.
For a moment the scene vanished. Hugh saw again the quiet study with its electric reading-lamp, the pistols over the mantel-piece, the tiger glint in Lord Newhaven's eyes. He was like Cassius. He, too, had been ready to risk life, everything in the prosecution of his hate.
"He shall never stand looking down on my body," said Hugh to himself, "with his cursed foot upon me." And he realized that if he had been a worthier antagonist, that also might have been. The play dealt with men. Cassius and Lord Newhaven were men. But what was he?
The fear of death leading the love of life by the hand took with shame a lower seat. Hugh saw them at last in their proper places. If he could have died then he would have died cheerfully, gladly, as he saw Cassius die by his own hand, counting death the little thing it is. Afterwards, as he stood in the crowd near the door, where the rain was delaying the egress, he saw suddenly Lord Newhaven's face watching him. His heart leaped. "He has come to make me keep my word," he said to himself, the exaltation of the play still upon him. "I will not avoid him. Let him do it," and he pressed forward towards him.