"I do."

He became suddenly livid. He loved her more than ever. Would she really let him go?

"I am not the kind of man to be whistled back," he said, fiercely. It was an appeal and a defiance, for he was just the kind of man, and they both knew it.

"Of course not."

"That is your last word?"

"My last word."

He dropped her hand and half turned to go.

She made no sign.

Then he strode violently out of the wood without looking behind him. At the little gate he stopped a moment, listening intently. No recalling voice reached him. Poets did not know what they were talking about. With a trembling hand he slammed the gate and departed.

Rachel remained a long time sitting on the wooden bench, so long that the stooping sun found out the solemn, outstretched arms of the cedar, and touched them till they gleamed green as a beetle's wing. Each little twig and twiglet was made manifest, raw gold against the twilight that lurked beneath the heavy boughs.

She sat so still that a squirrel came tiptoeing across the moss, and struck tail momentarily to observe her. He looked critically at her, first with one round eye, and then, turning his sleek head, with the other, and decided that she was harmless.

Presently a robin dropped down close to her, flashing up his gray under wing as he alighted, and then flew up into the cedar, and from its sun-stirred depths said his say.

The robin never forgets. In the autumn afternoons, when the shadows are lengthening, he sings sadness into your heart. If you are joyful shut your ears against him, for you may keep peace, but never joy, while he is singing. He knows all about it, "love's labor lost," the gray face of young Love dead, the hard-wrought grave in the live rock where he is buried. And he tells of it again and again and again, as if Love's sharp sword had indeed reddened his little breast, until the heart aches to hear him. But he tells also that consolation is folded not in forgetfulness, but in remembrance. That is why he sings in the silence of the autumn dawn, before Memory closes her eyes, and again near sunset, when Memory wakes.

Still Rachel sat motionless.

She had labored with dumb unreasoning passion to forget, as a man works his hand to the bone night after night, week after week, month after month, to file through the bars of his prison. She found at last that forgetfulness came not of prayer and fasting; that it was not in her to forget. The past had seemed to stretch its cruel, desecrating hand over all the future, cutting her off from the possibility of love and marriage, and from the children whom in dreams she held in her arms. As she had said to Hester, she thought she "had nothing left to give."

But now the dead past had risen from its grave in her meeting with her former lover, and in a moment, in two short days and wakeful nights, the past relinquished its false claim upon her life. She saw that it was false, that she had been frightened where no fear was, that her deliverance lay in remembrance itself, not in the handcuffs with which until now she had bound her deliverer.