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Chapters (63)
  1. Cover
  2. Also by
  3. Dedication
  4. Part I
  5. CHAPTER
  6. CHAPTER
  7. CHAPTER
  8. CHAPTER
  9. CHAPTER
  10. CHAPTER
  11. CHAPTER
  12. CHAPTER
  13. CHAPTER
  14. CHAPTER
  15. CHAPTER
  16. CHAPTER
  17. CHAPTER
  18. CHAPTER
  19. CHAPTER
  20. CHAPTER
  21. CHAPTER
  22. CHAPTER
  23. CHAPTER
  24. Part II
  25. CHAPTER
  26. CHAPTER
  27. CHAPTER
  28. CHAPTER
  29. CHAPTER
  30. CHAPTER
  31. CHAPTER
  32. CHAPTER
  33. CHAPTER
  34. CHAPTER
  35. CHAPTER
  36. CHAPTER
  37. CHAPTER
  38. CHAPTER
  39. CHAPTER
  40. CHAPTER
  41. CHAPTER
  42. CHAPTER
  43. CHAPTER
  44. CHAPTER
  45. CHAPTER
  46. Part III
  47. CHAPTER
  48. CHAPTER
  49. CHAPTER
  50. CHAPTER
  51. CHAPTER
  52. CHAPTER
  53. CHAPTER
  54. CHAPTER
  55. CHAPTER
  56. CHAPTER
  57. CHAPTER
  58. CHAPTER
  59. CHAPTER
  60. CHAPTER
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. What’s next onyour reading list?

“Ify, that’s not what they would do to him.” The tone in Céline’s voice stops Ify where she stands. “They’d send him to the Jungle to suffer until he self-deports back to Nigeria.” Céline takes a step toward Ify, but because it is a hologram projected by her Whistle, it looks only like more of Céline’s body has vanished off-frame. “You see what color he is. You know what they do to les noirs.” And Ify sees in a separate hologram what Céline encounters every day in real life because of her position as a Colonial administrator. Children playing in glass-studded mud, malnourished and with faulty Augments, weaving their way around crudely built zinc trailers and huts that stand no chance against the freezing temperatures when the Alabastrine administrators of the Jungle choose to open the vents and clear the waste that accumulates in the slum. Trailers slashed with yellow or blue or purple paint depending on which aid agency they represent, refugees waiting in lines that go on forever for a vaccination or treatment for whatever disease is rampaging through the population at any given time. Families wrapped in bubble coats; when they speak, their breath clouds before their faces and frost tips their eyebrows. Large pools of wastewater dotting the landscape. Drones ever circling, looking for crimes, whether committed out of malice or desperation, they don’t care. They swoop in and fire electric bolts at the target, then their claws retract and they drag the victim away, on the ground and through the wastewater, then into the air, where a jail transport van hovers. Or Augmented police, towering twice as tall as any human and muscled with steroids and gear oil, stomping through the tent cities, crushing homes, beating men and women. Hammering, always hammering, as people try to build their makeshift homes or legal aid clinics or mosques or churches or art therapy centers. Discarded sleeping bags, rotten food, broken shoes half-buried in faulty, recently re-poured concrete.

The place Céline tries to rescue refugees from. The place too many of them don’t escape. The Jungle.

“You would send him to this place?” Céline asks.