Chapters (23)
- Title Page
- Copyright Notice
- Stories
- Portrait of an Artist
- Four Days Before the Saturday Night Social
- The Man from Khurda District
- Beyond Translation
- The Great Game
- Real Time
- Prelude to an Autobiography: A Fragment
- The Second Marriage
- Words, Silences
- The Party
- Confession of a Sacrifice
- The Old Masters
- An Infatuation
- The Wedding
- White Lies
- E-Minor
- E-Minor
- Chasing a Poet: Epilogue
- Note
- Also by Amit Chaudhuri
means shopping expeditions, leather handbags
to admire in Csango, which she’ll visit even if
she buys nothing, only inspects and desires.
“Looking at” costs nothing; but the proprietor
doesn’t mind, as if he knows it’s somehow connected
to business. Then the haunts whose names
she’s inherited from my parents; the incredibly Olympian
Joy Shoes; R. H. Rai; Ramniklal Zaveri
to exchange an old ornament; from shop to shop, as
the book tour fizzles out, and we find we’re at a loose end
with two days left in this city, and nowhere
to go. Suresh has promised to take us
for dhansak to the Paradise Café. Here, by the entrance
near the Kodak Studio on the main road, is the shrine,
already wet with religious dousings and drownings,
and a small driveway where Suresh’s scooter
is parked. He lives on the second floor; on the third
is a guest house where Iranians and Arabs put up.
Below, in the compound, is a detached room
which, for five years, has been a Shiv Sena office. Tonight
it wears a lit and festive air. Two policemen
have been posted by the gates, as if to say
“We’re taking no chances.” When one of them, corpulent
and whiskered, smiles at my daughter (she, at a year
and a half, is a veteran talker and walker, and
wanders near him), I feel a disquiet.
She smiles back at him, as if it’s possible
to make friends with the intractable. He relaxes;
glances at me. Is he guarding the Sena
or against it? We go to the building, conferring,
making sure not to look back over our shoulders.
Chasing a Poet: Epilogue
Chasing a Poet: Epilogue
“He hangs out at the Wayside Inn till four.”
Thus, Adil, whose eye, looking away,
promises, says a young poet, to conceal something.
Leave this watering hole behind, Bombay Gym,
and take my wife and half-sleeping child
in a taxi towards Jehangir Art Gallery.
Installations this week in Kala Ghoda.
“You’d better move fast, if you want to catch him,” Adil
says, consulting, in his squinty, alien way,
my watch. In the Inn, I don’t see him at first,
Kolatkar, his face youthful, his eyes
baleful, like a student’s, his hair and moustache
grey-white, as if they were made of cotton wool, a prankster’s
disguise. He’s concealed in the shadows, open
to strangers, but forewarned of me.
The Inn’s semi-deserted; the famous smell
of fish and chips has disappeared; some of the chairs
and tables have been enlisted for a reading
tonight. I go up, to introduce myself
before Thursday ends, and this man melts away.
He’s about seventy years old; he
appraises me as a college boy would a teacher
who’s interrupted him smoking marijuana.
He says he’s heard of me; invites
me to sit down. “I saw your poster
in Crossroads yesterday. You’re reading day after,