Back Ralph Waldo Emerson
Chapters (42)
  1. Cover Page
  2. Title Page
  3. Foreword by Robert D. Richardson Jr.
  4. NATURE (1836)
  5. Introduction
  6. CHAPTER I
  7. CHAPTER II
  8. CHAPTER III
  9. CHAPTER IV
  10. CHAPTER V
  11. CHAPTER VI
  12. CHAPTER VII
  13. CHAPTER VIII
  14. EARLY ESSAYS AND LECTURES
  15. Pray Without Ceasing (1826)
  16. Ethics (1837)
  17. The American Scholar (1837)
  18. Cherokee Letter (1838)
  19. The Divinity School Address (1838)
  20. From ESSAYS, FIRST SERIES (1841)
  21. History
  22. Self-Reliance
  23. The Over-Soul
  24. Circles
  25. From ESSAYS, SECOND SERIES (1844)
  26. The Poet
  27. Experience
  28. Politics
  29. From REPRESENTATIVE MEN (1850)
  30. Uses of Great Men
  31. Montaigne; or, the Skeptic
  32. LATER ESSAYS AND LECTURES
  33. Emancipation in the British West Indies (1844)
  34. Woman (1855)
  35. Thoreau (1862)
  36. POEMS
  37. Concord Hymn
  38. Additional Reading
  39. Note on the Text
  40. Ask Your Bookseller for these Bantam Classics
  41. About the Author
  42. Copyright

The breadth of the problem is great, for the poet is representative. He stands among partial men for the complete man, and apprises us not of his wealth, but of the common wealth. The young man reveres men of genius, because, to speak truly, they are more himself than he is. They receive of the soul as he also receives, but they more. Nature enhances her beauty, to the eye of loving men, from their belief that the poet is beholding her shows at the same time. He is isolated among his contemporaries by truth and by his art, but with this consolation in his pursuits, that they will draw all men sooner or later. For all men live by truth and stand in need of expression. In love, in art, in avarice, in politics, in labor, in games, we study to utter our painful secret. The man is only half himself, the other half is his expression.

Notwithstanding this necessity to be published, adequate expression is rare. I know not how it is that we need an interpreter, but the great majority of men seem to be minors, who have not yet come into possession of their own, or mutes, who cannot report the conversation they have had with nature. There is no man who does not anticipate a supersensual utility in the sun and stars, earth and water. These stand and wait to render him a peculiar service. But there is some obstruction or some excess of phlegm in our constitution, which does not suffer them to yield the due effect. Too feeble fall the impressions of nature on us to make us artists. Every touch should thrill. Every man should be so much an artist that he could report in conversation what had befallen him. Yet, in our experience, the rays or appulses have sufficient force to arrive at the senses, but not enough to reach the quick and compel the reproduction of themselves in speech. The poet is the person in whom these powers are in balance, the man without impediment, who sees and handles that which others dream of, traverses the whole scale of experience, and is representative of man, in virtue of being the largest power to receive and to impart.

For the Universe has three children, born at one time, which reappear under different names in every system of thought, whether they be called cause, operation, and effect; or, more poetically, Jove, Pluto, Neptune; or, theologically, the Father, the Spirit, and the Son; but which we will call here the Knower, the Doer, and the Sayer. These stand respectively for the love of truth, for the love of good, and for the love of beauty. These three are equal. Each is that which he is, essentially, so that he cannot be surmounted or analyzed, and each of these three has the power of the others latent in him, and his own, patent.