Chapters (42)
- Cover Page
- Title Page
- Foreword by Robert D. Richardson Jr.
- NATURE (1836)
- Introduction
- CHAPTER I
- CHAPTER II
- CHAPTER III
- CHAPTER IV
- CHAPTER V
- CHAPTER VI
- CHAPTER VII
- CHAPTER VIII
- EARLY ESSAYS AND LECTURES
- Pray Without Ceasing (1826)
- Ethics (1837)
- The American Scholar (1837)
- Cherokee Letter (1838)
- The Divinity School Address (1838)
- From ESSAYS, FIRST SERIES (1841)
- History
- Self-Reliance
- The Over-Soul
- Circles
- From ESSAYS, SECOND SERIES (1844)
- The Poet
- Experience
- Politics
- From REPRESENTATIVE MEN (1850)
- Uses of Great Men
- Montaigne; or, the Skeptic
- LATER ESSAYS AND LECTURES
- Emancipation in the British West Indies (1844)
- Woman (1855)
- Thoreau (1862)
- POEMS
- Concord Hymn
- Additional Reading
- Note on the Text
- Ask Your Bookseller for these Bantam Classics
- About the Author
- Copyright
The breadth of the problem is great, for the poet is representative. He stands among partial men for the complete man, and apprises us not of his wealth, but of the common wealth. The young man reveres men of genius, because, to speak truly, they are more himself than he is. They receive of the soul as he also receives, but they more. Nature enhances her beauty, to the eye of loving men, from their belief that the poet is beholding her shows at the same time. He is isolated among his contemporaries by truth and by his art, but with this consolation in his pursuits, that they will draw all men sooner or later. For all men live by truth and stand in need of expression. In love, in art, in avarice, in politics, in labor, in games, we study to utter our painful secret. The man is only half himself, the other half is his expression.
Notwithstanding this necessity to be published, adequate expression is rare. I know not how it is that we need an interpreter, but the great majority of men seem to be minors, who have not yet come into possession of their own, or mutes, who cannot report the conversation they have had with nature. There is no man who does not anticipate a supersensual utility in the sun and stars, earth and water. These stand and wait to render him a peculiar service. But there is some obstruction or some excess of phlegm in our constitution, which does not suffer them to yield the due effect. Too feeble fall the impressions of nature on us to make us artists. Every touch should thrill. Every man should be so much an artist that he could report in conversation what had befallen him. Yet, in our experience, the rays or appulses have sufficient force to arrive at the senses, but not enough to reach the quick and compel the reproduction of themselves in speech. The poet is the person in whom these powers are in balance, the man without impediment, who sees and handles that which others dream of, traverses the whole scale of experience, and is representative of man, in virtue of being the largest power to receive and to impart.
For the Universe has three children, born at one time, which reappear under different names in every system of thought, whether they be called cause, operation, and effect; or, more poetically, Jove, Pluto, Neptune; or, theologically, the Father, the Spirit, and the Son; but which we will call here the Knower, the Doer, and the Sayer. These stand respectively for the love of truth, for the love of good, and for the love of beauty. These three are equal. Each is that which he is, essentially, so that he cannot be surmounted or analyzed, and each of these three has the power of the others latent in him, and his own, patent.