Back Ralph Waldo Emerson
Chapters (42)
  1. Cover Page
  2. Title Page
  3. Foreword by Robert D. Richardson Jr.
  4. NATURE (1836)
  5. Introduction
  6. CHAPTER I
  7. CHAPTER II
  8. CHAPTER III
  9. CHAPTER IV
  10. CHAPTER V
  11. CHAPTER VI
  12. CHAPTER VII
  13. CHAPTER VIII
  14. EARLY ESSAYS AND LECTURES
  15. Pray Without Ceasing (1826)
  16. Ethics (1837)
  17. The American Scholar (1837)
  18. Cherokee Letter (1838)
  19. The Divinity School Address (1838)
  20. From ESSAYS, FIRST SERIES (1841)
  21. History
  22. Self-Reliance
  23. The Over-Soul
  24. Circles
  25. From ESSAYS, SECOND SERIES (1844)
  26. The Poet
  27. Experience
  28. Politics
  29. From REPRESENTATIVE MEN (1850)
  30. Uses of Great Men
  31. Montaigne; or, the Skeptic
  32. LATER ESSAYS AND LECTURES
  33. Emancipation in the British West Indies (1844)
  34. Woman (1855)
  35. Thoreau (1862)
  36. POEMS
  37. Concord Hymn
  38. Additional Reading
  39. Note on the Text
  40. Ask Your Bookseller for these Bantam Classics
  41. About the Author
  42. Copyright

The Essays, therefore, are an entertaining soliloquy on every random topic that comes into his head; treating every thing without ceremony, yet with masculine sense. There have been men with deeper insight; but, one would say, never a man with such abundance of thoughts: he is never dull, never insincere, and has the genius to make the reader care for all that he cares for.

The sincerity and marrow of the man reaches to his sentences. I know not any where the book that seems less written. It is the language of conversation transferred to a book. Cut these words, and they would bleed; they are vascular and alive. One has the same pleasure in it that we have in listening to the necessary speech of men about their work, when any unusual circumstance gives momentary importance to the dialogue. For blacksmiths and teamsters do not trip in their speech; it is a shower of bullets. It is Cambridge men who correct themselves, and begin again at every half sentence, and, moreover, will pun, and refine too much, and swerve from the matter to the expression. Montaigne talks with shrewdness, knows the world, and books, and himself, and uses the positive degree: never shrieks, or protests, or prays: no weakness, no convulsion, no superlative: does not wish to jump out of his skin, or play any antics, or annihilate space or time; but is stout and solid; tastes every moment of the day; likes pain, because it makes him feel himself, and realize things; as we pinch ourselves to know that we are awake. He keeps the plain; he rarely mounts or sinks; likes to feel solid ground, and the stones underneath. His writing has no enthusiasms, no aspiration; contented, self-respecting, and keeping the middle of the road. There is but one exception,—in his love for Socrates. In speaking of him, for once his cheek flushes, and his style rises to passion.

Montaigne died of a quinsy, at the age of sixty, in 1592. When he came to die, he caused the mass to be celebrated in his chamber. At the age of thirty-three, he had been married. “But,” he says, “might I have had my own will, I would not have married Wisdom herself, if she would have had me: but ’tis to much purpose to evade it, the common custom and use of life will have it so. Most of my actions are guided by example, not choice.” In the hour of death, he gave the same weight to custom. Que sçais je? What do I know?

This book of Montaigne the world has endorsed, by translating it into all tongues, and printing seventy-five editions of it in Europe: and that, too, a circulation somewhat chosen, namely, among courtiers, soldiers, princes, men of the world, and men of wit and generosity.

Shall we say that Montaigne has spoken wisely, and given the right and permanent expression of the human mind, on the conduct of life?