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Chapters (42)
  1. Cover Page
  2. Title Page
  3. Foreword by Robert D. Richardson Jr.
  4. NATURE (1836)
  5. Introduction
  6. CHAPTER I
  7. CHAPTER II
  8. CHAPTER III
  9. CHAPTER IV
  10. CHAPTER V
  11. CHAPTER VI
  12. CHAPTER VII
  13. CHAPTER VIII
  14. EARLY ESSAYS AND LECTURES
  15. Pray Without Ceasing (1826)
  16. Ethics (1837)
  17. The American Scholar (1837)
  18. Cherokee Letter (1838)
  19. The Divinity School Address (1838)
  20. From ESSAYS, FIRST SERIES (1841)
  21. History
  22. Self-Reliance
  23. The Over-Soul
  24. Circles
  25. From ESSAYS, SECOND SERIES (1844)
  26. The Poet
  27. Experience
  28. Politics
  29. From REPRESENTATIVE MEN (1850)
  30. Uses of Great Men
  31. Montaigne; or, the Skeptic
  32. LATER ESSAYS AND LECTURES
  33. Emancipation in the British West Indies (1844)
  34. Woman (1855)
  35. Thoreau (1862)
  36. POEMS
  37. Concord Hymn
  38. Additional Reading
  39. Note on the Text
  40. Ask Your Bookseller for these Bantam Classics
  41. About the Author
  42. Copyright

But the quality of the imagination is to flow, and not to freeze. The poet did not stop at the color or the form, but read their meaning; neither may he rest in this meaning, but he makes the same objects exponents of his new thought. Here is the difference betwixt the poet and the mystic, that the last nails a symbol to one sense, which was a true sense for a moment, but soon becomes old and false. For all symbols are fluxional; all language is vehicular and transitive, and is good, as ferries and horses are, for conveyance, not as farms and houses are, for homestead. Mysticism consists in the mistake of an accidental and individual symbol for an universal one. The morning-redness happens to be the favorite meteor to the eyes of Jacob Behmen, and comes to stand to him for truth and faith; and, he believes, should stand for the same realities to every reader. But the first reader prefers as naturally the symbol of a mother and child, or a gardener and his bulb, or a jeweller polishing a gem. Either of these, or of a myriad more, are equally good to the person to whom they are significant. Only they must be held lightly, and be very willingly translated into the equivalent terms which others use. And the mystic must be steadily told,—All that you say is just as true without the tedious use of that symbol as with it. Let us have a little algebra, instead of this trite rhetoric,—universal signs, instead of these village symbols,—and we shall both be gainers. The history of hierarchies seems to show that all religious error consisted in making the symbol too stark and solid, and was at last nothing but an excess of the organ of language.

Swedenborg, of all men in the recent ages, stands eminently for the translator of nature into thought. I do not know the man in history to whom things stood so uniformly for words. Before him the metamorphosis continually plays. Everything on which his eye rests, obeys the impulses of moral nature. The figs become grapes whilst he eats them. When some of his angels affirmed a truth, the laurel twig which they held blossomed in their hands. The noise which at a distance appeared like gnashing and thumping, on coming nearer was found to be the voice of disputants. The men in one of his visions, seen in heavenly light, appeared like dragons, and seemed in darkness; but to each other they appeared as men, and when the light from heaven shone into their cabin, they complained of the darkness, and were compelled to shut the window that they might see.