Chapters (74)
- Other Books by This Author
- Title Page
- Copyright
- Dedication
- Contents
- Prologue
- Part One: An Impossible Murder
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Part Two: Peter Pan
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Part Three: All the Evil in the World
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Part Four: Perfect Justice
- Prologue
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Acknowledgments
He looks up from the cell phone into which he has been entering the special list of numbers. He knows that the shrieking of the blackbirds is a territorial defense, a red alert to their kind, a call to arms against the trespasser.
None of his own electronic alarms are flashing, however, meaning that there is no human encroachment. But he peers out anyway through each of the four small windows in the sides of the little cinder-block building, scanning the hummocky beaver pond and boggy woods.
There are crows perching in the tops of three dead, root-drowned trees. The crows, he concludes, are the interlopers who have upset the blackbirds, provoking their high-pitched screeches. He finds the protection they afford comforting. Like the creaking treads on a staircase might alert him to an intruder.
Or like the dismal little structure itself, in the midst of a hundred acres of low-lying forest and swamp, is comforting. Nearly inaccessible, uninviting in the extreme, it is his ideal home away from home. He has many homes away from home. Places to stay while he conducts his business. Fulfills his contracts. This particular place, with no visible trail in from the public road, has always felt more secure than most.
Fat Gus had represented another kind of trail. A trail of sensitive information. Information that could be ruinous. But that had been eradicated at its source. Which made this business with Bincher and Hardwick and Gurney so incomprehensible. So infuriating.
At the thought of Bincher, his gaze drifts to a shadowy corner of the garage-like room. To a blue and white plastic picnic cooler. He smiles. But the smile quickly fades.
The smile fades because the nightmare keeps returning to his mind, more vividly than ever. The nightmare’s images are with him almost continually now—ever since he caught sight of that Ferris wheel at the fairgrounds.
The Ferris wheel has insinuated itself into his nightmare—enmeshed with the merry-go-round music, the terrible laughter. The hideous, stinking, wheezing clown. The low, vibrating growl of the tiger.
And now Hardwick and Gurney.
Swirling around him, closing in.
The spiral tightening, the final confrontation inevitable.
It would be a great risk, but there could be a great reward. A great relief.
The nightmare might at last be extinguished.
He goes to the darkest corner of the room, to a small table. On the table are a large candle and a pack of matches. He picks up the matches and lights the candle.
He lifts the candle and gazes at the flame. He loves its shape, its purity, its power.
He imagines the confrontation—the conflagration.
His smile returns. He goes back to his cell phone—goes back to entering the special numbers.
The blackbirds are shrieking. The crows are perching uneasily on the dead black treetops.