Chapters (74)
- Other Books by This Author
- Title Page
- Copyright
- Dedication
- Contents
- Prologue
- Part One: An Impossible Murder
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Part Two: Peter Pan
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Part Three: All the Evil in the World
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Part Four: Perfect Justice
- Prologue
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Acknowledgments
Gurney put no stock in dreams. If he did, that night’s marathon could have occupied a week of nonstop analysis. But he held a solidly pragmatic view—and generally low opinion—of these outlandish processions of images and events.
He’d long believed they were nothing more than by-products of the nightly filing and indexing process the brain employs in the movement of recorded experience from short-term to long-term memory. Bits of visual and aural data are stirred up and mashed together, narrative strings are triggered, vignettes are constructed—but with no more meaning than a suitcase of old photos, love letters, or term papers shredded and reassembled by a monkey.
The one practical effect of a night of discomfiting dreams was a lingering need for more sleep—which resulted in Gurney’s rising an hour later than usual, with a mild headache. When he was finally taking his first sip of coffee, the sun, rendered pallid by a thin overcast, had already risen well above the eastern ridge. The sense he’d had the night before of an unsettling quietness after the eerie sound in the woods was still with him.
He felt cornered. Cornered by his unwillingness to drop out of the game in time. Cornered by his appetite for control, coherence, completion. Cornered by his own “plan” to break the case open by provoking the shooter into taking a foolish and fatal risk. Pulled forward and backward by alternating currents that seemed one minute to lead to success and the next to defeat, Gurney decided to seek the comfort that came with taking action.
Hardwick would be returning that evening from Scranton Surveillance & Survival with the video cameras they needed, and they would have the following morning, Sunday, to install the units in a way to ensure that anyone approaching within half a mile of Gurney’s house would be detected. Strategic placement was a crucial factor, and pre-selection of the sites would save precious time Sunday morning.
He went to the mudroom and pulled on a pair of knee-high rubber boots—protection against thistles, brambles, and wild raspberry thorns. Noticing a remnant of odor from the rooster carcass, he opened the mudroom window to let in fresh air, then went out to the pile of henhouse construction materials, from which he borrowed a metal tape measure, a ball of yellow cord, and a jackknife. With these items in hand he set off for the woods on the far side of the pond to begin identifying and marking key video locations.
The goal was to select the spots from which an array of motion-activated cameras and wireless transmitters could provide full coverage of the woods and fields around his home. According to Hardwick, each camera would generate its own GPS coordinates, displaying this information along with its video on a receiving monitor inside the house, so the location of Peter Pan—or any intruder—would be known immediately.