Men in ragged blue shirts and black corduroy breeches, with broad-brimmed straw hats, were ploughing the fields behind teams of mules with rhythmically flopping ears. Their ploughs were wretched things, only stirring the soil, not cutting anything we should regard as a furrow. All the agricultural implements were pitifully antiquated, everything being governed by the expensiveness of metal. A broken ploughshare, for instance, was patched, and then patched again, till sometimes it was mainly patches. Rakes and pitchforks were made of wood. Spades, among a people who seldom possessed boots, were unknown; they did their digging with a clumsy hoe like those used in India. There was a kind of harrow that took one straight back to the later Stone Age. It was made of boards joined together, to about the size of a kitchen table; in the boards hundreds of holes were morticed, and into each hole was jammed a piece of flint which had been chipped into shape exactly as men used to chip them ten thousand years ago. I remember my feeling almost of horror when I first came upon one of these things in a derelict hut in no-man’s-land. I had to puzzle over it for a long while before grasping that it was a harrow. It made me sick to think of the work that must go into the making of such a thing, and the poverty that was obliged to use flint in place of steel. I have felt more kindly towards industrialism ever since. But in the village there were two up-to-date farm tractors, no doubt seized from some big landowner’s estate.

Once or twice I wandered out to the little walled graveyard that stood a mile or so from the village. The dead from the front were normally sent to Siétamo; these were the village dead. It was queerly different from an English graveyard. No reverence for the dead here! Everything overgrown with bushes and coarse grass, human bones littered everywhere. But the really surprising thing was the almost complete lack of religious inscriptions on the gravestones, though they all dated from before the revolution. Only once, I think, I saw the ‘Pray for the soul of so-and-so’ which is usual on Catholic graves. Most of the inscriptions were purely secular, with ludicrous poems about the virtues of the deceased. On perhaps one grave in four or five there was a small cross or a perfunctory reference to Heaven; this had usually been chipped off by some industrious atheist with a chisel.