Chapters (82)
- Cover
- Brand Page
- Orwell in Spain
- Orwell in Spain
- Introduction
- Editorial Note
- Acknowledgements
- Orwell’s Journey to Spain, December 1936
- Extract from ‘As I Please’, 42 [The Journey to Spain]
- Jennie Lee to Margaret M. Goalby, 23 June 1950: Orwell’s Arrival in Barcelona
- Orwell in Spain, December 1936
- Eileen Blair to Leonard Moore
- ‘British Author with the Militia’
- Eileen Blair to her mother
- To Eileen Blair
- Extract from letter from Eileen Blair to Leonard Moore
- Eileen Blair to Dr Laurence (‘Eric’) O’Shaughnessy
- Extract from letter to Victor Gollancz
- Orwell’s Wound
- To Cyril Connolly
- Eileen Blair to Dr Laurence (‘Eric’) O’Shaughnessy
- Escape from Spain
- BARCELONA 13TH JULY, 1937
- Charles Doran
- Homage to Catalonia
- X
- ‘Spilling the Spanish Beans’
- Eileen Blair to John McNair
- George Kopp to Dr Laurence O’Shaughnessy
- Translation of letter written in Spanish by George Kopp to Lieutenant-Colonel Burillo,7 Chief of Police, Barcelona
- George Kopp to Eileen Blair
- Review of The Spanish Cockpit by Franz Borkenau; Volunteer in Spain by John Sommerfield
- To Rayner Heppenstall
- ‘Eye-Witness in Barcelona’
- Abstracts of Reports on the Spanish Civil War in the Daily Worker and News Chronicle, 1936–7
- To Amy Charlesworth
- To Charles Doran
- Unpublished Response to Authors Take Sides on the Spanish War
- To Geoffrey Gorer
- Review of Red Spanish Notebook by Mary Low and Juan Brea; Heroes of the Alcazar by R. Timmermans; Spanish Circus by Martin Armstrong
- To H. N. Brailsford
- Review of Storm Over Spain by Mairin Mitchell; Spanish Rehearsal by Arnold Lunn; Catalonia Infelix by E. Allison Peers; Wars of Ideas in Spain by Josée Castillejo; Invertebrate Spain by Josée Ortega y Gasset
- H. N. Brailsford to Orwell
- To H. N. Brailsford
- Review of The Tree of Gernika by G. L. Steer; Spanish Testament by Arthur Koestler
- To the Editor, Time and Tide
- To Raymond Mortimer
- To Stephen Spender
- To Geoffrey Gorer
- ‘Notes* on the Spanish Militias
- To the Editor, The Times Literary Supplement
- Sir Richard Rees to Orwell
- To the Editor, The Listener
- Review of Spain’s Ordeal1 by Robert Sencourt; Franco’s Rule [anonymous]
- Review of The Civil War in Spain by Frank Jellinek1
- Review of Searchlight on Spain by the Duchess of Atholl1
- To the Editor, Manchester Guardian
- To Yvonne Davet
- To Raymond Postgate
- Orwell made two copies of this summary of the article in La Flèche of 14 October 1938, by L.-P. Foucaud.
- Review of The Church in Spain, 1737-1937 by E. Allison Peers; Crusade in Spain by Eoin O’Dujfy1
- To Frank Jellinek
- ‘Release of George Kopp’
- ‘Caesarean Section in Spain
- To Yvonne Davet
- Review of Hotel in Flight by Nancy Johnstone
- Review of The Last Days of Madrid by S. Casado, translated by Rupert Croft-Cooke; Behind the Battle by T. C. Worsley
- Review of The Spanish Dilemma by E. Allison Peers; A Key to Victory: Spain by Charles Duff
- Extract from War-time Diary
- Review of The Forge by Arturo Barea,1 translated and with an introduction by Sir Peter Chalmers Mitchell2
- Extract from letter to Partisan Review
- Extract from BBC Weekly News Review for India, 22 [Comparison with the Spanish Civil War]
- ‘Looking Back on the Spanish War’ [1942?]
- Proposed BBC Broadcast on the Spanish Civil War
- Review of Spain in Eclipse, 1937–1943 by E. Allison Peers; Behind the Spanish Mask by Lawrence Dundas
- Extract from ‘As I Please’, 10 [How the lie becomes truth]
- ‘The Eight Years of War: Spanish Memories’
- Review of An Interlude in Spain by Charles d’Ydewalle, translated by Eric Sutton
- Review of The Clash by Arturo Barea1
- Orwell’s Pamphlet Collection
- A summary of letters from and to David Astor, 4 and 5
- Further Reading
The essential fact about a totalitarian régime is that it has no laws. People are not punished for specific offences, but because they are considered to be politically or intellectually undesirable. What they have done or not done is irrelevant. It took Mr. d’Ydewalle some time to get used to this idea, and, as he observed, there were other Western European prisoners who had difficulty in grasping it as well. When he had been several months in jail some British soldiers, escaped from France, came to join him. He told them about the shootings. At the beginning they flatly disbelieved him, and only gradually, as mattress after mattress appeared outside this cell or that, came to realise that what he said was true: whereupon they commented, not inaptly, ‘Well, give me England every time.’
This book is a useful footnote to history. The author’s simplicity of outlook is an advantage to him as a narrator. But, if one may make a guess, the next variant of General Franco who appears will not have Mr. d’Ydewalle’s support.
[2944]
Review of The Clash by Arturo Barea1
Observer, 24 March 1946
The third and final volume of Arturo Barea’s autobiography covers the period 1935–9, and is therefore largely a story of civil war. His private struggle and the failure of his first marriage cannot be separated from the general social tension of which the war was a result; and in his second marriage, which took place about the end of 1937, personal and political motives are even more closely intermingled. The book starts off in a Castilian village and ends up in Paris, but its essential subject is the siege of Madrid.
Mr. Barea was in Madrid from the very start of the war, and remained there almost continuously until vague but irresistible political pressures drove him out of the country in the summer of 1938. He saw the wild enthusiasm and chaos of the early period, the expropriations, the massacres, the bombing and shelling of the almost helpless city, the gradual restoration of order, the three-sided struggle for power between the common people, the bureaucracy, and the foreign Communists. For about two years he held an important post in the Foreign Press Censorship, and for a while he delivered the ‘Voice of Madrid’ broadcasts, which scored a considerable success in Latin America. Before the war he had been an engineer employed in the Patent Office, a would-be writer who had not actually written anything, a believing Catholic disgusted by the Spanish Church, and a temperamental Anarchist with no close political affiliations. But it is most of all his peasant origin that fits him to describe the war from a specifically Spanish point of view.