Back One Year Later

One Year Later

Sanjida Kay
Chapters (49)
  1. PROLOGUE
  2. PART I
  3. 1
  4. 2
  5. 3
  6. 4
  7. PART II
  8. 5
  9. 6
  10. 7
  11. 8
  12. 9
  13. 10
  14. 11
  15. 12
  16. 13
  17. 14
  18. 15
  19. 16
  20. 17
  21. 18
  22. 19
  23. 20
  24. 21
  25. 22
  26. 23
  27. 24
  28. 25
  29. 26
  30. 27
  31. 28
  32. 29
  33. 30
  34. 31
  35. 32
  36. 33
  37. 34
  38. PART III
  39. 35
  40. 36
  41. 37
  42. 38
  43. 39
  44. PART IV
  45. 40
  46. 41
  47. EPILOGUEAMY
  48. ACKNOWLEDGEMENTS
  49. BOOK CLUB QUESTIONS
Illustration

ONE YEAR LATER

Also by Sanjida Kay

Bone by Bone
The Stolen Child
My Mother’s Secret

To my family

–Midway upon the journey of our life

I found myself within a forest dark,

For the straightforward pathway had been lost.

Ah me! how hard a thing it is to say

What was this forest savage, rough, and stern,

Which in the very thought renews the fear…

I did not die, and yet I lost life’s breath.

The Divine Comedy by Dante Alighieri

PROLOGUE

He stands on the edge of the cliff and stares at the drop below. It’s early, around 5 a.m., and he’s only had two hours’ sleep. He blinks, rubs his eyes. The wind, skimmed straight from the sea, is cold, and he can taste the salt on his tongue. There’s a pale-blue line where the ocean meets the sky: the first sign of the approaching dawn. He has a torch in his pocket, but it’s of little use, faced with the dark expanse of beach below him. He shifts slightly and feels the earth give way beneath one foot.

He doesn’t have long.

The tide is almost fully in, and the man who’d phoned him had said she was at one end of the beach. The caller was drunk; he said he was on his way home from the festival, although that in itself was suspicious, because no one lives at this end of the island, save for the Donati family and the people staying in the holiday house below their farm. The man was slurring his words – fear, combined with the alcohol, making him barely comprehensible. He didn’t say which end of the beach. Martelli had driven here as fast as he could, radioing for the ambulance from the car. He offers a silent prayer: that she is above the tideline, that he can find her in time, that she’s still alive.

The clouds shift; the line of light over the water turns to buttermilk, and he thinks he can see her. Could be rocks or flotsam. Or a body. If it is the English girl, she’s lying stretched out on the sand below the headland, where this spit of land joins il cavalluccio marino.