Chapters (109)
- Cover
- About the Author
- Praise for Tim Weaver
- Dedication
- Part One
- 1
- 2
- 3
- 4
- 5
- 6
- Joline
- 7
- 8
- 9
- 10
- The Motel
- 11
- 12
- Part Two
- 13
- 14
- Caraca
- 15
- 16
- 17
- Late-Night Call
- 18
- 19
- 20
- Pioneer
- Part Three
- 21
- 22
- 23
- The Suicide: Part 1
- 24
- 25
- 26
- The Suicide: Part 2
- 27
- 28
- 29
- Clear: Part 1
- 30
- 31
- Clear: Part 2
- Part Four
- 32
- 33
- 34
- Monster
- 35
- 36
- 37
- Martina: Part 1
- Part Five
- 38
- 39
- 40
- Martina: Part 2
- 41
- 42
- 43
- Dead Ends
- 44
- Part Six
- 45
- 46
- 47
- The Photograph Album
- 48
- 49
- 50
- Empty
- Part Seven
- 51
- 52
- Retirement: Part 1
- 53
- 54
- 55
- 56
- Retirement: Part 2
- 57
- Part Eight
- 58
- 59
- 60
- 61
- 62
- Circle
- 63
- 64
- 65
- 66
- An Ending
- 67
- 68
- Part Nine
- 69
- Family
- 70
- Part Ten
- 71
- 72
- Author’s Note
- Acknowledgements
- THE BEGINNING
I listened, trying to push the sound of my heartbeat into the background, and thought I could hear movement – perhaps the scattering of stones underfoot – on the opposite side of the barn. Moving parallel to the wall, I retreated to the next doorway along. In the darkness, I thought I could make out a tractor, or maybe a plough, a tiny dusting of light falling against one of the wheel arches, and then the clouds thinned, the moon making its escape, and suddenly everything had a deep, lead-grey outline.
I started to move, making use of the fact that I could see, following the concrete path I’d come in on. At the corner of the building, I stopped again and peered around its edge.
No one was there.
There was ten feet of space between me and the next barn, so I bridged it quickly, passing the old corpse of a harrow and then a pile of tools, lying on the ground, discarded. I stopped again, reached down to grab a shovel, and then the light altered.
The clouds thickened; the moon vanished.
Black.
I listened for any approach, any sign he was close to me or using the sudden switch in light to his advantage. When nothing came back but more silence, I slowly inched the shovel out from the pile.
But I never got the chance to use it.
There was the scuff of a sole against the uneven concrete path and then a fist crunched into the side of my head, releasing my grip on the shovel instantly. I stumbled sideways, my cheek on fire, my ears ringing, and then I was struck again, an attack from the darkness I couldn’t see and couldn’t defend. I staggered off the path, clattering against a rake. It clanged as it fell and hit the concrete, and then I lost my footing and landed hard on the grass. When I looked up, hands in front of me for protection – bracing myself for more – no one was even there: it was just a swathe of black, no shape to it at all.
Fast footsteps.
I dragged myself up on to all fours, turning on my hands and knees, following the sound of him. He was heading back in the direction of the cottage. I heard his feet pounding against concrete, and then the dull thump of the grass.
Clambering to my feet, I switched on the penlight and used it to guide myself out of the maze of barns. I could smell sweat on myself, dirt, manure, could feel blood running from my hairline, but I kept going, ignoring it all, focused entirely on the cottage: all the lights were still on inside and, as I got closer, I could see the front door was open.
Were they still in there?
I hit the final fence, climbed over it and then switched off the penlight.