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Chapters (109)
  1. Cover
  2. About the Author
  3. Praise for Tim Weaver
  4. Dedication
  5. Part One
  6. 1
  7. 2
  8. 3
  9. 4
  10. 5
  11. 6
  12. Joline
  13. 7
  14. 8
  15. 9
  16. 10
  17. The Motel
  18. 11
  19. 12
  20. Part Two
  21. 13
  22. 14
  23. Caraca
  24. 15
  25. 16
  26. 17
  27. Late-Night Call
  28. 18
  29. 19
  30. 20
  31. Pioneer
  32. Part Three
  33. 21
  34. 22
  35. 23
  36. The Suicide: Part 1
  37. 24
  38. 25
  39. 26
  40. The Suicide: Part 2
  41. 27
  42. 28
  43. 29
  44. Clear: Part 1
  45. 30
  46. 31
  47. Clear: Part 2
  48. Part Four
  49. 32
  50. 33
  51. 34
  52. Monster
  53. 35
  54. 36
  55. 37
  56. Martina: Part 1
  57. Part Five
  58. 38
  59. 39
  60. 40
  61. Martina: Part 2
  62. 41
  63. 42
  64. 43
  65. Dead Ends
  66. 44
  67. Part Six
  68. 45
  69. 46
  70. 47
  71. The Photograph Album
  72. 48
  73. 49
  74. 50
  75. Empty
  76. Part Seven
  77. 51
  78. 52
  79. Retirement: Part 1
  80. 53
  81. 54
  82. 55
  83. 56
  84. Retirement: Part 2
  85. 57
  86. Part Eight
  87. 58
  88. 59
  89. 60
  90. 61
  91. 62
  92. Circle
  93. 63
  94. 64
  95. 65
  96. 66
  97. An Ending
  98. 67
  99. 68
  100. Part Nine
  101. 69
  102. Family
  103. 70
  104. Part Ten
  105. 71
  106. 72
  107. Author’s Note
  108. Acknowledgements
  109. THE BEGINNING

I listened, trying to push the sound of my heartbeat into the background, and thought I could hear movement – perhaps the scattering of stones underfoot – on the opposite side of the barn. Moving parallel to the wall, I retreated to the next doorway along. In the darkness, I thought I could make out a tractor, or maybe a plough, a tiny dusting of light falling against one of the wheel arches, and then the clouds thinned, the moon making its escape, and suddenly everything had a deep, lead-grey outline.

I started to move, making use of the fact that I could see, following the concrete path I’d come in on. At the corner of the building, I stopped again and peered around its edge.

No one was there.

There was ten feet of space between me and the next barn, so I bridged it quickly, passing the old corpse of a harrow and then a pile of tools, lying on the ground, discarded. I stopped again, reached down to grab a shovel, and then the light altered.

The clouds thickened; the moon vanished.

Black.

I listened for any approach, any sign he was close to me or using the sudden switch in light to his advantage. When nothing came back but more silence, I slowly inched the shovel out from the pile.

But I never got the chance to use it.

There was the scuff of a sole against the uneven concrete path and then a fist crunched into the side of my head, releasing my grip on the shovel instantly. I stumbled sideways, my cheek on fire, my ears ringing, and then I was struck again, an attack from the darkness I couldn’t see and couldn’t defend. I staggered off the path, clattering against a rake. It clanged as it fell and hit the concrete, and then I lost my footing and landed hard on the grass. When I looked up, hands in front of me for protection – bracing myself for more – no one was even there: it was just a swathe of black, no shape to it at all.

Fast footsteps.

I dragged myself up on to all fours, turning on my hands and knees, following the sound of him. He was heading back in the direction of the cottage. I heard his feet pounding against concrete, and then the dull thump of the grass.

Clambering to my feet, I switched on the penlight and used it to guide myself out of the maze of barns. I could smell sweat on myself, dirt, manure, could feel blood running from my hairline, but I kept going, ignoring it all, focused entirely on the cottage: all the lights were still on inside and, as I got closer, I could see the front door was open.

Were they still in there?

I hit the final fence, climbed over it and then switched off the penlight.