‘I thought about it. This is what Geminus wanted. You know it is. He told you in that codicil: you were to see my baby as your own sister or your brother. You can’t argue with a fideicommissum.’ She was calm. She was composed. Before I could bluster excuses, Thalia added the death blow: ‘The best thing will be, Marcus darling, if as soon as he is born, you take him off me and adopt him.’

I closed my eyes while it sank in. I had expected troubles to come with money. I knew some of them would be complex, many crushing. Cynical though I was, nothing of this magnitude had crossed my mind. There was no escape, however. Pa had landed me absolutely.

I said I had to consult Helena. ‘That’s right,’ Thalia agreed composedly. ‘Then the dear little thing can grow up with you two, and be part of your beautiful family.’

Those quick brown eyes of Helena’s told me she foresaw everything, just as I did.

So I acquired a ‘brother’, who was almost certainly not my brother but whom I had to adopt and endure as my son. I would have shared the money with him fairly willingly, but now I had to give him a decent chance in life as well—quite another proposition. This could only go wrong. Helena and I anticipated from the start that little Marcus Didius Alexander Postumus (as his mother would name him, poor noddle) could never be grateful. We would offer him a home, education, moral guidance and affection. Pointless. A soulless waste of effort. He would be difficult to raise and impossible to console for the arbitrary fate that had been dumped on him. He was bound to seethe with jealousy and resentment. And I would not even blame him.

Thank you again, Geminus.

61

There had been slaves pootling around us, but we dismissed them. Katutis did not even try to argue; he was learning.

We sat in the salon. Helena had moved things around while I was in Latium. We reclined on day-couches with bronze fittings. Cushions in soft shades of blue and aqua lay under our elbows. The walls, newly painted last year, were respectable tones of honey and off-white, plain panels delineated by fine tendrils and elegant candelabrum motifs, intermittently relieved with discreet miniature paintings of birds, done in faint brushstrokes. These were civilised, though unpretentious surroundings. With her own sure taste, Helena had scaled down from when my father lived here, using less grandeur than when he had the place bursting with antiques. The salon made a quiet setting for the sombre discussion we were about to hold.