Back My People
Chapters (81)
  1. Cover
  2. All One Race
  3. Let Us Not Be Bitter
  4. An Appeal
  5. The Curlew Cried
  6. Sounds Assail Me
  7. Tree Grave
  8. Dawn Wail for the Dead
  9. Dark Unmarried Mothers
  10. Not My Style
  11. Last of His Tribe
  12. The Child Wife
  13. The Young Girl Wanda
  14. Whynot Street
  15. White Australia
  16. Acacia Ridge
  17. The Unhappy Race
  18. Corroboree
  19. Stone Age
  20. Assimilation – No!
  21. Integration – Yes!
  22. The Teachers
  23. Ballad of Totems
  24. White Man, Dark Man
  25. The Protectors
  26. Intolerance
  27. Bwalla the Hunter
  28. No More Boomerang
  29. Bora
  30. Nona
  31. The Food Gatherers
  32. Aboriginal Charter of Rights
  33. Gifts
  34. Spinners
  35. A Song of Hope
  36. The Woor Woman
  37. The Dawn Is at Hand
  38. Municipal Gum
  39. My Love
  40. Colour Bar
  41. Tribal Justice
  42. Artist Son
  43. Son of Mine
  44. Dead Life
  45. ?
  46. Jarri's Love Song
  47. Community Rain Song
  48. Namatjira
  49. The Dispossessed
  50. Interlude
  51. The Bunyip
  52. Understand, Old One
  53. Gooboora, the Silent Pool
  54. We Are Going
  55. Cookalingee
  56. United We Win
  57. Song
  58. God's One Mistake
  59. Verses
  60. Civilisation
  61. Biami
  62. Freedom
  63. Return to Nature
  64. Hope
  65. Racism
  66. I Am Proud
  67. Then and Now
  68. Daisy Bindi
  69. The Past
  70. Time Is Running Out
  71. Balance
  72. China … Woman
  73. Reed Flute Cave
  74. Oh Trugganner!
  75. Kiltara-Biljara* (Eagle Hawk)
  76. Mongarlowe
  77. Leave Straddie Unabridged
  78. Custodians of the Land
  79. Glossary
  80. Biography
  81. WILEY END USER LICENSE AGREEMENT

Australia is still being used as a dumping ground for many other world cultures. Unfortunately, instead of providing a bridge between Aborigines and European Australians, it merely adds to the rift. It must be clearly understood that the Aboriginal nation (yet to be recognised) has little or no enthusiasm for the so-called multicultural society of Australia, for it is unbelievable and a great indictment of European Australians that the Aboriginal people find themselves once again at the bottom of the Australian socioeconomic scale with regard to multiculturalism. In the multicultural case, we continually find ourselves firmly lacking in any priority of position on any ‘ethnic' shopping list. This is true in all areas, including theatre. But then again, one must never mention the selling off of the Aborigines' stolen lands to multinationals in the same breath as the expression ‘multiculturalism'.

As a proud Aborigine, I have witnessed, among Asian and European peoples, the replanting of their grassroot cultures on my Aboriginal homeland, and I have seen only the continuation of prejudice and suffering for my people. Only the history of the European and English Australian, it seems, repeats itself over and over again in this, my country.

Modern Australia, however, does have the key to logical race relations, but White Australia is preventing it from happening. Firstly, it is prevented with egotistic insistence on assimilation for all other cultures, by implementing heavily weighted Anglo-Saxon educational methods and systems. Secondly, through refusing to acknowledge that traditional Anglo-Saxon estimations of what constitutes intelligence and criteria for assessing ability and achievement must be reshaped in order to recognise and include other aptitudes at grassroot level.

It is possible to rectify this situation with a sensible, fair and reasonable approach to education. Education departments must revise their out-of-date, mid-Victorian criteria. When tutors from other countries and Aboriginal elders from this country, through cultural exchange, are recognised and their true worth recognised in universities and schools, then we will have, and will be able to boast of, a truly multicultural society.

At present, however, when Aboriginal people ‘achieve' at a university or tertiary institution, they are forced to lead a double life. By day such a person is a replica of a white Australian, slightly — sometimes heavily — suntanned, who is taught to respect and accept the same Anglo-Saxon heroes as his or her peers; by night, a ‘real' person, with his or her own cultural identity. I have named this double existence. ‘the super-hero syndrome'.