Although few men were more under the impulses of passion than Lord Byron, there was yet a curious kind of management about him which showed that he was well aware how much of the world’s favour was to be won by it.  Long before Childe Harold appeared, it was generally known that he had a poem in the press, and various surmises to stimulate curiosity were circulated concerning it: I do not say that these were by his orders, or under his directions, but on one occasion I did fancy that I could discern a touch of his own hand in a paragraph in the Morning Post, in which he was mentioned as having returned from an excursion into the interior of Africa; and when I alluded to it, my suspicion was confirmed by his embarrassment.

I mention this incident not in the spirit of detraction; for in the paragraph there was nothing of puff, though certainly something of oddity—but as a tint of character, indicative of the appetite for distinction by which, about this period, he became so powerfully incited, that at last it grew into a diseased crave, and to such a degree, that were the figure allowable, it might be said, the mouth being incapable of supplying adequate means to appease it—every pore became another mouth greedy of nourishment.  I am, however, hastening on too fast.  Lord Byron was, at that time, far indeed from being ruled by any such inordinate passion; the fears, the timidity, and bashfulness of young desire still clung to him, and he was throbbing with doubt if he should be found worthy of the high prize for which he was about to offer himself a candidate.  The course he adopted on the occasion, whether dictated by management, or the effect of accident, was, however, well calculated to attract attention to his début as a public man.