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Chapters (57)
  1. Manfred
  2. Manfred
  3. INTRODUCTION TO MANFRED
  4. Scene II.—The Mountain of the Jungfrau.—Time, Morning.—Manfred alone upon the cliffs.
  5. Scene IV.—The Hall ofArimanes.—Arimanes on his Throne, a Globe of Fire, surrounded by the Spirits.
  6. Scene IV.—Interior of the Tower.
  7. The Life of Lord Byron by John Galt
  8. AUTHOR’S INTRODUCTION
  9. CHAPTER I
  10. CHAPTER II
  11. CHAPTER III
  12. CHAPTER IV
  13. CHAPTER V
  14. CHAPTER VI
  15. CHAPTER VII
  16. CHAPTER VIII
  17. CHAPTER IX
  18. CHAPTER X
  19. CHAPTER XI
  20. CHAPTER XII
  21. CHAPTER XIII
  22. CHAPTER XIV
  23. CHAPTER XV
  24. CHAPTER XVI
  25. CHAPTER XVII
  26. CHAPTER XVIII
  27. CHAPTER XIX
  28. CHAPTER XX
  29. CHAPTER XXI
  30. CHAPTER XXII
  31. CHAPTER XXIII
  32. CHAPTER XXIV
  33. CHAPTER XXV
  34. CHAPTER XXVI
  35. CHAPTER XXVII
  36. CHAPTER XXVIII
  37. CHAPTER XXIX
  38. CHAPTER XXX
  39. CHAPTER XXXI
  40. CHAPTER XXXII
  41. CHAPTER XXXIII
  42. CHAPTER XXXIV
  43. CHAPTER XXXV
  44. CHAPTER XXXVI
  45. CHAPTER XXXVII
  46. CHAPTER XXXVIII
  47. CHAPTER XXXIX
  48. CHAPTER XL
  49. CHAPTER XLI
  50. CHAPTER XLII
  51. CHAPTER XLIII
  52. CHAPTER XLIV
  53. CHAPTER XLV
  54. CHAPTER XLVI
  55. CHAPTER XLVII
  56. CHAPTER XLVIII
  57. CHAPTER XLIX

Such was Byron to common observance on his return.  I recollect one night meeting him at the Opera.  Seeing me with a gentleman whom he did not know, and to whom he was unknown, he addressed me in Italian, and we continued to converse for some time in that language.  My friend, who in the meanwhile had been observing him with curiosity, conceiving him to be a foreigner, inquired in the course of the evening who he was, remarking that he had never seen a man with such a Cain-like mark on the forehead before, alluding to that singular scowl which struck me so forcibly when I first saw him, and which appears to have made a stronger impression upon me than it did upon many others.  I never, in fact, could overcome entirely the prejudice of the first impression, although I ought to have been gratified by the friendship and confidence with which he always appeared disposed to treat me.  When Childe Harold was printed, he sent me a quarto copy before the publication; a favour and distinction I have always prized; and the copy which he gave me of The Bride of Abydos was one he had prepared for a new edition, and which contains, in his own writing, these six lines in no other copy:

Bless’d—as the Muezzin’s strain from Mecca’s wall
To pilgrims pure and prostrate at his call,
Soft—as the melody of youthful days
That steals the trembling tear of speechless praise,
Sweet—as his native song to exile’s ears
Shall sound each tone thy long-loved voice endears.

He had not, it is true, at the period of which I am speaking, gathered much of his fame; but the gale was rising—and though the vessel was evidently yielding to the breeze, she was neither crank nor unsteady.  On the contrary, the more he became an object of public interest, the less did he indulge his capricious humour.  About the time when The Bride of Abydos was published, he appeared disposed to settle into a consistent character—especially after the first sale of Newstead.  Before that particular event, he was often so disturbed in his mind, that he could not conceal his unhappiness, and frequently spoke of leaving England for ever.