Back Malice
Chapters (67)
  1. Copyright
  2. Dedication
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. ACKNOWLEDGMENTS
  63. ABOUT THE AUTHOR
  64. Crave, by Tracy Wolff
  65. Keystone, by Katie Delahanty
  66. Sting, by Cindy Wilson
  67. Keeper of the Bees, by Meg Kassel

I’m in a black void somewhere, floating in ether, my limbs weighing nothing. No, that’s not right. I have no limbs. I have no body. I have no head or mouth or lips. I’m just a consciousness, existing in the realm between times.

I’m no longer dreaming. That much I’m sure of. My mind is too sharp for that, my awareness too precise.

I look around. In front of me, a bright line unravels, wavering and fuzzy. Somehow I know if I follow it, I’ll return to my own time. I’ll exit from this void and reclaim my body in the present world.

I move forward, but then something makes me look down—if “down” is a concept that exists here. Instead of more blackness, streams of color run beneath me.

What is that? I peer closer. Dozens of threads weave in and around one another, of varying thickness. The biggest, shiniest stream runs directly down the middle. The main thread, I realize instinctively. The original one. Every other thread originates from this central cord, branching out before weaving back in again.

I drift lower. The ribbons of color aren’t static. Rather, they’re made up of moving…photographs? Scenes? I focus on the moving colors, and they slow down, flipping by more and more leisurely until I see images of…me.

My face in different iterations. The round cheeks of my babyhood, the scarred nose from my toddler years, the acne of my adolescence. And older, too—my face as I have yet to know it, with crow’s feet emanating from my eyes and fine wrinkles around my mouth.

Flaming monkeys. I’m watching the literal time stream of my life. I always thought the term was just an analogy. I had no idea it was an actual river, with moments of my life rushing past like a current.

Except…the central thread seems to be fraying. In the distance, the colors fade. And then just stop. Even as I look, the loose threads begin to organize around a new stream.

Time travel, I understand with a flash. Every time we interfere with the past, a new thread is formed. Most of the time, it weaves back into the main cord, but change the timeline enough and the threads will organize around a new stream. A new center. A new world.

If I had a mouth, it would be hanging open. Instead, I move even closer to the time stream, the big bright one that’s fraying, the one that represents my original life…

…and then I tumble right in.

Chapter 32

Chapter 32