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Contents ( 53)
  1. Praise for Ali Hazelwood
  2. TITLES BY ALI HAZELWOOD
  3. LOATHE TO LOVE YOU
  4. Contents
  5. Under
  6. One Roof
  7. Prologue
  8. One
  9. Two
  10. Three
  11. Four
  12. Five
  13. Six
  14. Seven
  15. Eight
  16. Nine
  17. Ten
  18. Eleven
  19. Twelve
  20. Thirteen
  21. Epilogue
  22. Stuck
  23. with You
  24. One
  25. Two
  26. Three
  27. Four
  28. Five
  29. Six
  30. Seven
  31. Eight
  32. Nine
  33. Ten
  34. Eleven
  35. Twelve
  36. Epilogue
  37. Below
  38. Zero
  39. Prologue
  40. One
  41. Two
  42. Three
  43. Four
  44. Five
  45. Six
  46. Seven
  47. Eight
  48. Nine
  49. Epilogue
  50. Bonus
  51. Chapter
  52. Acknowledgments
  53. What’s next on your reading list?

I slip out of the room, and for about two weeks I’m high enough on the knowledge that my project will be happening that I manage to do just that: not let anyone know. I don’t even tell Mara and Sadie when we FaceTime, because . . . because to explain the degree of Ian’s betrayal, I’d have to admit to the lie I told them years ago. Because I feel like a total idiot for trusting someone who deserves nothing from me. Because being honest with them would first require me to be honest with myself, and I’m too angry, tired, disappointed for that. In my rants, Ian becomes a faceless, anonymous figure, and there is something freeing in that. In not letting myself remember that I used to think of him fondly, and by name.

Then, exactly seventeen days later, I meet Ian Floyd in the stairwell. And that’s when everything goes to shit.

I spot him before he sees me—because of the red, and the general largeness, and the fact that he’s climbing up while I’m going down. There are about five elevators here, and I’m not sure why anyone would willingly choose to subject their bodies to the stress of upward stairs, but I’m not too shocked that Ian is the one doing it. It’s the kind of glory-less overachieving I’ve come to expect from him.

My first instinct is to push him and watch him fall to his death. Except I’m almost sure it’s a felony. Plus, Ian is considerably stronger than me, which means it might not be feasible. Abort mission, I tell myself. Just squeeze by. Ignore him. Not worth your time.

The problems start when he looks up and notices me. He stops exactly two steps below, which should put him at a disadvantage but, depressingly, unfairly, tragically, doesn’t. We are at eye level when his eyes widen and his lips curve in a pleased smile. He says, “Hannah,” a touch of something in his voice that I recognize but instantly reject, and I have no choice but to acknowledge him.

The staircase is deserted, and sound carries far. His “I came looking for you” is deep and low and vibrates right through me. “Last week. Some guy in your office said you don’t work there much, but—”

“Fuck off.”

The words crash out of me. My temper has always been reckless, one hundred miles per hour, and . . . well. Still is, I guess.

Ian’s reaction is too baffled to be confused. He stares at me like he’s not sure what he just heard, and it’s the perfect chance for me to walk away before I say something I regret. But seeing his face makes me remember Merel’s words, and that . . . that is really not good.

He didn’t believe you capable of doing the work.

The worst part, the one that actually hurts, is how thoroughly I misjudged Ian. I actually thought he was a good guy. I liked him a lot, when I never let myself like anyone, and . . . how dare he? How dare he stab me in the back and then address me as though he’s my friend?