Chapters (42)
- Cover
- ADVANCE PRAISE FOR Kiss Her Once for Me
- Title Page
- Dedication
- Last Christmas
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- This Christmas
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Chapter Twenty-Five
- Chapter Twenty-Six
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Chapter Thirty-One
- Chapter Thirty-Two
- Acknowledgements
- More from the Author
- About the Author
- ALSO BY ALISON COCHRUN
“It’s a bit cramped,” Ari admits. Given that Ari, Meredith, and I can barely all fit in my new bedroom, this admission feels like an understatement. “But if Ikea can create an entire apartment in three hundred square feet, surely we can make this work for sleeping!”
Meredith sets down my one box of stuff.
“That’s it. That’s all the floor space, taken up by a single box. Good thing you’re poor and own very little.”
“Anything is better than the depression chamber you were living in before,” Ari says. And no one argues with her there.
So, I move into my new closet.
Ari lives in a large foursquare house on a corner lot with a massive front porch, a pride flag over the door, and a sign that says “Welcome to Brideshead” (because one of the housemates, Bobbie, is an English professor at Lewis and Clark). There is a backyard with raised garden beds and a fire pit and all of Ari’s bees, and inside the house is a home. A cozy, lived-in space, with walls of books and Winslow’s nude paintings and the supplies for Ari’s honey business and a nursery’s worth of plants, all tended to by someone called Gardenia, who is at least half-plant themself.
All of the housemates are queer, most of them are artists, and they’ve already cleared a shelf for me in the fridge.
Meredith helps me paint my closet mint green, helps me turn my twin mattress on the floor into a chic lounging space, then sits me down on said mattress, opens my email, and forces me to write a response to the editor who reached out about my webcomics.
Every single word feels impossible to type, so Meredith decides to torture me by playing Rebecca Black on repeat, refusing to shut it off until I finish crafting the email. And miraculously, somewhere around the sixth replay of “Friday,” I start remembering the way it used to feel to create art alone in my bedroom as a kid. I remember the joy I used to feel before I let other people’s praise define the value of what I produced. I remember the way Jack looked baking Christmas cookies, like the recipes were written into her bones, like baking was an extension of her heart, like she couldn’t possibly fail at doing the thing she loved most.
I think about the hole inside me, and what’s going to fill it up, and the response comes a little bit easier once I know what I have to say.
On New Year’s Eve, Meredith flies back to Chicago. We stand in the departures zone outside PDX for a long time, our arms wrapped tight around each other. Meredith, who is comically short, fits nicely beneath my chin.