Contents (41)
- Chapter One Atlas
- Chapter Two Lily
- Chapter Three Atlas
- Chapter Four Lily
- Chapter Five Atlas
- Chapter Six Lily
- Chapter Seven Atlas
- Chapter Eight Lily
- Chapter Nine Atlas
- Chapter Ten Lily
- Chapter Eleven Atlas
- Chapter Twelve Lily
- Chapter Thirteen Atlas
- Chapter Fourteen Lily
- Chapter Fifteen Atlas
- Chapter Sixteen Lily
- Chapter Seventeen Atlas
- Chapter Eighteen Lily
- Chapter Nineteen Atlas
- Chapter Twenty Lily
- Chapter Twenty-One Atlas
- Chapter Twenty-Two Lily
- Chapter Twenty-Three Atlas
- Chapter Twenty-Four Lily
- Chapter Twenty-Five Atlas
- Chapter Twenty-Six Lily
- Chapter Twenty-Seven Atlas
- Chapter Twenty-Eight Lily
- Chapter Twenty-Nine Atlas
- Chapter Thirty Lily
- Chapter Thirty-One Atlas
- Chapter Thirty-Two Lily
- Chapter Thirty-Three Atlas
- Chapter Thirty-Four Lily
- Chapter Thirty-Five Atlas
- Chapter Thirty-Six Lily
- Chapter Thirty-Seven Atlas
- Acknowledgments
- About the Author
- Also by Colleen Hoover
- Table of Contents
Whoever vandalized Bib’s two nights ago decided to hit up my newest restaurant last night. Corrigan’s has two damaged windows, and there’s another message spray painted across the back door.
Fuck u Atlass.
They added an s and underlined ass in my name. I catch myself wanting to laugh at the cleverness, but my mood isn’t making space for humor this morning.
Yesterday, the vandalism barely fazed me. I don’t know if it was because I had just run into Lily and was still riding that high, but this morning I woke up stuck on her apparent avoidance of me. Because of that, the damage to my newest restaurant feels like it’s cutting a little deeper.
“I’ll check the security footage.” I’m hoping it reveals something useful. I still don’t know if I want to go to the police. Maybe if it’s someone I know, I can at least confront them before I’m forced to resort to that.
Brad follows me into my office. I power on the computer and open the security app. I think Brad can feel my frustration, because he doesn’t speak while I search the footage for several minutes.
“There,” Brad says, pointing to the lower left-hand corner of the screen. I slow down the footage until we see a figure.
When I hit play, we both stare in confusion. Someone is curled up on the back steps, unmoving. We watch the screen for about half a minute, until I hit rewind again. According to the time stamp on the footage, the person remains on the steps for over two hours. Without a blanket, in a Boston October.
“They slept here?” Brad says. “They weren’t too worried about getting caught, were they?”
I rewind the footage even more until it shows the person walking into the frame for the first time, a little after one in the morning. Because it’s dark, it’s hard to make out facial features, but they seem young. More like a teenager than an adult.
They snoop around for a few minutes—dig through the dumpster. Check the lock on the back door. Pull out the spray paint and leave their clever message.
Then they use the can of spray paint to attempt to break the windows, but Corrigan’s windows are triple-paned, so the person eventually gets bored, or grows tired of trying to make a big enough hole to fit through like they did at Bib’s. That’s when they proceed to lie down on the back steps, where they fall asleep.
Just before the sun rises, they wake up, look around, and then casually walk away like the entire night never happened.
“Do you recognize him?” Brad asks.
“No. You?”
“Nope.”
I pause the footage on what may be the clearest visual we can get of the person, but it’s grainy. They’re wearing jeans and a black hoodie with the hood pulled tight so that their hair isn’t visible.
There’s no way we would be able to recognize whoever this is if we saw them in person. It isn’t a clear enough picture, and they never looked straight at the camera. The police wouldn’t even find this footage useful.