Contents ( 4)
there is a moment of silence as if you are waiting for a response. of course, nothing comes, and you didn’t expect anything to.
“i am afraid that i am turning into a version of myself that nobody, including me, will like,” you say softly. “it wouldn’t matter if nobody else liked me, as long as i liked me. but i don’t even like me. i am too …”
after a brief silence, you finish your sentence. your voice is barely audible as though you are confessing a great sin, which, in some way, perhaps you are:
“something. i am just something.”
you are not sure what it means, but at the same time, you understand precisely. afraid to say more, you roll over, pull the covers tight up under your chin. at 2:58 a.m., you drift into a fitful sleep, pondering the meaning of “something”—if it means too little or too much or not much of anything at all—and what it means that you feel so strongly acquainted with the sensation.
the wheel
they say
fate works in
mysterious ways.
it can be kind.
it can be cruel.
it can be boring—
so boring that you
may be stuck wondering
whether fate is paying
you any mind at all.
but don’t be mistaken;
fate is always working.
don’t ever think
the wheel is not turning.
it is in motion
from the moment
you are born.
i wonder about the doors
that closed throughout
my life,
the different paths
i walked away from.
i wonder if there’s a life
out there where
i still dance,
a life where i fought
against the awkwardness
my body seemed predestined
to carry until i could
leap, twirl, and plié
with as much grace
as the rest of the girls in my class.
i wonder if there’s a life
out there where
i still play piano
the way i did
before i found singing,
a life where opera
never ignited
that never-ending flame
in me, and piano
remained enough,
remained all i needed.
i wonder if there’s a life
out there where
i don’t write,
a life where i never
discovered poetry,
never grew to need
to create it like
i need to breathe,
and i found other places
to bury my pain.
in all these lives,
i believe i am happy.
these versions of myself
do not know what path
they missed out on.
they’ve all found their own
passions and callings.
and perhaps
part of them longs anyway,
when watching an opera
from the orchestra pit
or going to support
their friend at an open mic,
just as i do when i see
a ballerina pirouette with ease
or hear one of chopin’s nocturnes.
perhaps each of us is lucky
in our own different ways,
both blessed and cursed by
the lives we have created for ourselves.