Back House with No Doors Save as PDF
Contents ( 40)
  1. Jeff Noon
  2. Contents
  3. About the Author
  4. Part One
  5. Blue with Yellow Flowers
  6. Totems
  7. Marks on the Skin
  8. The Stranger
  9. The Middle Child
  10. Too Much Noise
  11. Down to the Roots
  12. The Shiver
  13. In the Dark
  14. Object of Desire
  15. Everyday Strangeness
  16. All That Remains
  17. Shrines
  18. Every Contact
  19. Part Two
  20. Bedsitter Land
  21. The Dreamers
  22. Decay Factor
  23. An Actress Prepares
  24. The Nine Stages
  25. The Living-room Theatre
  26. Contamination of Evidence
  27. Part Three
  28. A View of Dreamland
  29. The Devil Himself
  30. A Gift from Grandmother
  31. The Hidden Room
  32. The Gathering
  33. The Blackbird
  34. In Blue and Yellow
  35. Other Pathways
  36. Part Four
  37. A House of Twigs
  38. Spells Against Darkness
  39. SLOW MOTION GHOSTS
  40. THIS IS JUST THE BEGINNING

A Spell of Darkness.

The author’s name was Mary Estelle Graves.

He turned to the inside back cover, where a photograph showed the novelist’s face beautifully cast in half-shadow. A caption read, ‘Mary Estelle Graves achieved fame as “Miss Kreeley” in the theatre play The Moon Awakes. Many other roles followed, both classical and modern. She is esteemed by audiences and critics alike. A Spell of Darkness is her first novel. She lives in London with her family.’ Hobbes flipped to the opening pages of the book and saw that it was a first edition, published in 1958. The title page was signed and dedicated.

To my loving son, Nicholas, on his birthday.

Your mother, Mary Estelle

Hobbes sat on the bed and read the first paragraph of chapter one:

Leigh Park Manor had a reputation for being haunted even before the Parnell family moved in, and their stay there did little to rid the local townspeople of their fears, for the family was seen, from that very first day in the midsummer of 1897, to be the carriers of a curse. Over time suspicion turned to fear and the large three-storey building at the end of Lumb Lane was shunned by all. It was a house of mysteries, within whose shadowy rooms and corridors a family of peculiar nature went about their secretive business. Indeed, we might never have known of the exact nature of that peculiarity if a certain young lady had not walked up to the ornate front door and pulled on the bell rope some two years after the Parnells had taken up residence.

The cover of the book showed a proud-looking woman in profile, a large dark house behind her, an overgrown rose trellis partly obscuring her white gown. In her hand she held a lighted lantern, which shone a yellow light on the book’s title.

Hobbes’s mind was active with new thoughts, all vying for attention, but none would come into focus. And then he bent forward slightly. From his position on the bed he could see under the table: a wastepaper basket was pushed against the wall. He pulled it out and rummaged through the sheets of crumpled paper it contained. When these were opened and spread out on the desktop it became obvious that Nicholas Graves had been composing a letter, or at least trying to. After several false starts, he had managed at best a half-paragraph. But Hobbes read this with great interest.

For the third time in this case he saw the name written down: Adeline.

The Dreamers

Mrs Rosamund Kepple lived in Plumstead, in a small house at the end of a row. DS Latimer accompanied Hobbes. The front door was opened at the first ring of the bell, as though the householder had been waiting for them in the hallway. She led them into the living room, which was compact, neat and tidy, and spotlessly clean. Everything that could be polished had been polished. The air was scented. Not a speck of dust disturbed the whiteness of the carpet. Hobbes had never seen so many knickknacks before – porcelain figurines and brasses dominated, with a few souvenirs of holidays in Spain slotted in, all arranged in rigid lines on shelves, tabletops and inside glass cabinets. It was a collector’s den. A portrait of the Virgin Mary took pride of place above the mantelpiece.