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Contents ( 40)
  1. Jeff Noon
  2. Contents
  3. About the Author
  4. Part One
  5. Blue with Yellow Flowers
  6. Totems
  7. Marks on the Skin
  8. The Stranger
  9. The Middle Child
  10. Too Much Noise
  11. Down to the Roots
  12. The Shiver
  13. In the Dark
  14. Object of Desire
  15. Everyday Strangeness
  16. All That Remains
  17. Shrines
  18. Every Contact
  19. Part Two
  20. Bedsitter Land
  21. The Dreamers
  22. Decay Factor
  23. An Actress Prepares
  24. The Nine Stages
  25. The Living-room Theatre
  26. Contamination of Evidence
  27. Part Three
  28. A View of Dreamland
  29. The Devil Himself
  30. A Gift from Grandmother
  31. The Hidden Room
  32. The Gathering
  33. The Blackbird
  34. In Blue and Yellow
  35. Other Pathways
  36. Part Four
  37. A House of Twigs
  38. Spells Against Darkness
  39. SLOW MOTION GHOSTS
  40. THIS IS JUST THE BEGINNING

Dress functional: trousers, shirt, a jacket, all dark, muted.

No jewellery, not even a ring.

What was she? Mid to late fifties? This was a face that had held time at bay, quite naturally. Very few lines, brow clear, a wrinkle at the neck when she bent forward.

A fingernail scratching at the tabletop.

It’s time. Time to tell the truth. Wasn’t that what she’d said to Fairfax?

Well, then, let’s see. Let’s test her.

Latimer came into the room and stood at Hobbes’s side.

‘Are we ready?’

‘I hope so.’

Together they entered the interview room. Hobbes dismissed the constable, thanking her. He clicked on the tape recorder and sat down, Latimer next to him.

Hobbes placed a hardback book on the table, its front cover uppermost, but turned away from Camilla Graves. She didn’t even look at it.

For a moment no one spoke.

Then: ‘Your name?’

‘Camilla Graves. Although …’

‘Yes?’

‘I’m not known by that, these days.’

‘You’re married?’

‘I used to be. But I’m still using his name.’

‘Which is?’

‘Is this important?’

‘Everything’s important.’

She swore under her breath, then gave her answer: ‘Camilla Greene.’

Hobbes stared at her. ‘You’re very secretive.’

‘I like to hide myself away, that’s true.’

‘Why?’

‘I don’t want my brother and sister bothering me. So I never gave them my address.’

Latimer asked, ‘You don’t like them?’

‘They don’t like me.’

‘This is why you didn’t turn up at your father’s funeral? To avoid them?’

Camilla nodded.

‘Why don’t they like you?’

‘Because of what I know, the things I saw, the things they did. That we all did.’

‘Which is what? What did you do?’

But there was no direct answer this time, only: ‘I imagine they hate me.’

And then silence.

Latimer asked, ‘Did you know your father left everything to you, in his will?’

She seemed genuinely surprised. ‘Really? I didn’t know that.’

‘He says that you should, quote, do with it as you see fit.’

‘I’ll follow his instructions.’ Then she laughed to herself. ‘I would love to have seen Rosamund’s face, when she found out.’

Hobbes took over. ‘How old are you?’

‘Fifty-five.’

‘And you’re working as …’

‘I run a guesthouse, in Southend.’

‘Children?’

‘No. I’m alone in life.’ Her eyes closed momentarily, the lids flickering.

‘Mrs Greene?’

‘There’s no one.’ It was said quietly, as though to herself.

Hobbes nodded. He was keeping this straight, professional, as cold as Camilla was, in return. But he knew there would be gaps, where the truth might be hiding, the real truth, beyond what she might offer.

He said, ‘If I asked where you were on the night your brother Nicholas was killed, how would you answer?’

‘I was at home.’

‘Is there proof of this?’

‘Well, I have no guests at this time of year, with this weather we’ve been having.’

‘Can anyone vouch for you?’

Her eyes locked on his. ‘I can vouch for myself.’

‘That’s not good enough.’

‘I didn’t kill Nicholas.’