House with No Doors
Contents (40)
- Jeff Noon
- Contents
- About the Author
- Part One
- Blue with Yellow Flowers
- Totems
- Marks on the Skin
- The Stranger
- The Middle Child
- Too Much Noise
- Down to the Roots
- The Shiver
- In the Dark
- Object of Desire
- Everyday Strangeness
- All That Remains
- Shrines
- Every Contact
- Part Two
- Bedsitter Land
- The Dreamers
- Decay Factor
- An Actress Prepares
- The Nine Stages
- The Living-room Theatre
- Contamination of Evidence
- Part Three
- A View of Dreamland
- The Devil Himself
- A Gift from Grandmother
- The Hidden Room
- The Gathering
- The Blackbird
- In Blue and Yellow
- Other Pathways
- Part Four
- A House of Twigs
- Spells Against Darkness
- SLOW MOTION GHOSTS
- THIS IS JUST THE BEGINNING
Jeff Noon
HOUSE WITH NO DOORS

Contents
About the Author
Jeff Noon trained in the visual arts and drama, and was active on the post-punk music scene before becoming a playwright, and then a novelist. His first crime novel featuring Detective Hobbes was Slow Motion Ghosts. His other novels include Vurt, Pollen, Automated Alice, Nymphomation, Needle in the Groove, Falling Out of Cars, Channel SK1N, Mappalujo (with Steve Beard), A Man of Shadows, The Body Library and Creeping Jenny. He has also published two collections of short fiction, Pixel Juice and Cobralingus. He lives in Brighton.
Also by Jeff Noon
Novels
Slow Motion Ghosts
Vurt
Pollen
Automated Alice
Nymphomation
Needle in the Groove
Falling Out of Cars
Channel SK1N
Mappalujo (with Steve Beard)
A Man of Shadows
The Body Library
Creeping Jenny
Collections of short fiction
Pixel Juice
Cobralingus
For Michelle

1962
A shroud had fallen over London, a thick layer of all-encompassing smog that covered both the suburbs and the central regions. This was the third day of its reign. The pitch-black fog reached into every street and alleyway, crawling through open windows and under doors, seeping into public houses and living rooms, causing people to cough and choke, even those who wore thick scarves or homemade masks of cotton gauze. The screens in the picture houses could barely be seen. Already a good number of people had died, ninety or so by the last count. More would follow.
The city was blinded. Visibility zero.
In the district of Soho people groped along with their arms outstretched in front of them, to keep from bumping into other pedestrians. Police officers shouted warnings, and car horns sounded continuously. A double-decker bus loomed out of the fog, then stopped with a squeal of brakes. Headlamps flared and died after a few feet. It was hopeless: there was no way forward. Two vehicles had collided. One of the drivers was trapped behind the steering wheel, and another man was trying to free him. The klaxon of an unseen ambulance made a harsh cry, but any kind of rescue seemed many miles away.
One young woman stood beneath a silver-blue neon sign, its diffuse glow lending her face the haze of a ghost. She could not move. Her eyes were wide in shock and she looked around in fear, as though expecting to be attacked at any moment. But she was alone. Alone within the crowd, as so many were on that day, in that great, overpopulated city. The smog held all in its grasp.
The woman murmured to herself. Her hands were cold and trembling.
The blood ran down her fingers.

Part One
1981
Blue with Yellow Flowers
Somebody slammed a drawer shut and let out a curse. Bollocks! One of the older guys was coughing his guts up. The Monday-morning blues. Cigarette smoke and cold coffee, and the blasted light that never stopped flickering over by the window. Hobbes was troubled. The phone call wouldn’t go away: why had Glenda rung him at such an hour, still dark outside? What did she want? They hadn’t spoken in so long. Maybe she— No, he cut off the thought. Once upon a time he’d known his wife’s moods to a tee, but now she was a stranger to him. Yet it hadn’t been that long since they’d split up. Half a year, that was all.