Back Further Foolishness
Chapters (25)
  1. FURTHER FOOLISHNESS
  2. *
  3. Contents
  4. Preface
  5. FOLLIES IN FICTION
  6. I - Stories Shorter Still
  7. II - Snoopopaths; or, Fifty Stories in One
  8. III - Foreign Fiction in Imported Instalments
  9. MOVIES AND MOTORS, MEN AND WOMEN
  10. IV - Madeline of the Movies: A Photoplay Done Back into Words
  11. V - The Call of the Carburettor, or, Mr. Blinks and His Friends
  12. VI - The Two Sexes in Fives or Sixes a Dinner-Party Study
  13. VII - The Grass Bachelor's Guide with Sincere Apologies to the Ladies' Periodicals
  14. VIII - Every Man and His Friends Mr. Crunch's Portrait Gallery
  15. IX - More than Twice-Told Tales; or, Every Man His Own Hero
  16. X - A Study in Still Life—My Tailor
  17. PEACE, WAR, AND POLITICS
  18. XI - Germany from Within Out
  19. XII - Abdul Aziz Has His
  20. XIII - In Merry Mexico
  21. XIV - Over the Grape Juice; or, the Peacemakers
  22. XV - The White House from Without In
  23. TIMID THOUGHTS ON TIMELY TOPICS
  24. XVI - Are the Rich Happy?
  25. XVII - Humour as I See It

But The Man does not know that she is in the hotel, nor that she has left her husband; it is only accident that brings them together. And it is only by accident that he has come into her room, at night, and stands there—rooted to the threshold. Now as a matter of fact, in real life, there is nothing at all in the simple fact of walking into the wrong room of an hotel by accident. You merely apologise and go out. I had this experience myself only a few days ago. I walked right into a lady's room—next door to my own. But I simply said, "Oh, I beg your pardon, I thought this was No. 343."

"No," she said, "this is 341."

She did not rise and "confront" me, as they always do in the snoopopathic stories. Neither did her eyes flash, nor her gown cling to her as she rose. Nor was her gown made of "rich old stuff." No, she merely went on reading her newspaper.

"I must apologise," I said. "I am a little short-sighted, and very often a one and a three look so alike that I can't tell them apart. I'm afraid—"

"Not at all," said the lady. "Good evening."

"You see," I added, "this room and my own being so alike, and mine being 343 and this being 341, I walked in before I realised that instead of walking into 343 I was walking into 341."

She bowed in silence, without speaking, and I felt that it was now the part of exquisite tact to retire quietly without further explanation, or at least with only a few murmured words about the possibility of to-morrow being even colder than to-day. I did so, and the affair ended with complete savoir faire on both sides.

But the Snoopopaths, Man and Woman, can't do this sort of thing, or, at any rate, the snoopopathic writer won't let them. The opportunity is too good to miss. As soon as The Man comes into The Woman's room—before he knows who she is, for she has her back to him—he gets into a condition dear to all snoopopathic readers.

His veins simply "surged." His brain beat against his temples in mad pulsation. His breath "came and went in quick, short pants." (This last might perhaps be done by one of the hotel bellboys, but otherwise it is hard to imagine.)

And The Woman—"Noiseless as his step had been, she seemed to sense his presence. A wave seemed to sweep over her —She turned and rose fronting him full." This doesn't mean that he was full when she fronted him. Her gown—but we know about that already. "It was a coward's trick," she panted.