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Chapters (25)
  1. FURTHER FOOLISHNESS
  2. *
  3. Contents
  4. Preface
  5. FOLLIES IN FICTION
  6. I - Stories Shorter Still
  7. II - Snoopopaths; or, Fifty Stories in One
  8. III - Foreign Fiction in Imported Instalments
  9. MOVIES AND MOTORS, MEN AND WOMEN
  10. IV - Madeline of the Movies: A Photoplay Done Back into Words
  11. V - The Call of the Carburettor, or, Mr. Blinks and His Friends
  12. VI - The Two Sexes in Fives or Sixes a Dinner-Party Study
  13. VII - The Grass Bachelor's Guide with Sincere Apologies to the Ladies' Periodicals
  14. VIII - Every Man and His Friends Mr. Crunch's Portrait Gallery
  15. IX - More than Twice-Told Tales; or, Every Man His Own Hero
  16. X - A Study in Still Life—My Tailor
  17. PEACE, WAR, AND POLITICS
  18. XI - Germany from Within Out
  19. XII - Abdul Aziz Has His
  20. XIII - In Merry Mexico
  21. XIV - Over the Grape Juice; or, the Peacemakers
  22. XV - The White House from Without In
  23. TIMID THOUGHTS ON TIMELY TOPICS
  24. XVI - Are the Rich Happy?
  25. XVII - Humour as I See It

Now it's the first motor—it's going over a bridge—it's heading for the country—say, isn't that car just flying —Flick, flick!

It's the second motor—it's crossing the bridge too—hurry, boys, make it go!—Flick, flick!

Out in the country—a country road—early daylight—see the wind in the trees! Notice the branches waving? Isn't it natural?—whiz! Biff! There goes the motor—biff! There goes the other one—right after it—hoorah!

The open road again—the first motor flying along! Hullo, what's wrong? It's slackened, it stops—hoorah! it's broken down—there's Madeline inside—there's Edward the Roo! Say! isn't he pale and desperate!

Hoorah! the police! the police! all ten of them in their big car—see them jumping out—see them pile into the thugs! Down with them! paste their heads off! Shoot them! Kill them! isn't it great—isn't it educative—that's the Roo—Edward—with John at his throat! Choke him, John! Throttle him! Hullo, it's changed—they're in the big motor—that's the Roo with the handcuffs on him.

That's Madeline—she's unbound and she's talking; say, isn't she just real pretty when she smiles?

"YES, JOHN, I HAVE LEARNED THAT I WAS WRONG TO PUT MY ART BEFORE YOUR LOVE. I WILL MARRY YOU AS SOON AS YOU LIKE."

Flick, flick!

What pretty music! Ding! Dong! Ding! Dong! Isn't it soft and sweet!—like wedding bells. Oh, I see, the man in the orchestra's doing it with a little triangle and a stick—it's a little church up in the country—see all the people lined up—oh! there's Madeline! in a long white veil—isn't she just sweet!—and John—

Flick, flack, flick, flack.

"BULGARIAN TROOPS ON THE MARCH."

What! Isn't it over? Do they all go to Bulgaria? I don't seem to understand. Anyway, I guess it's all right to go now. Other people are going.

V - The Call of the Carburettor, or, Mr. Blinks and His Friends

*

"First get a motor in your own eye and then you will overlook more easily the motor in your brother's eye."—Somewhere in the Bible.

"By all means let's have a reception," said Mrs. Blinks. "It's the quickest and nicest way to meet our old friends again after all these years. And goodness knows this house is big enough for it"—she gave a glance as she spoke round the big reception-room of the Blinkses' residence—"and these servants seem to understand things so perfectly it's no trouble to us to give anything. Only don't let's ask a whole lot of chattering young people that we don't know; let's have the older people, the ones that can talk about something really worth while."