Chapters (25)
- FURTHER FOOLISHNESS
- *
- Contents
- Preface
- FOLLIES IN FICTION
- I - Stories Shorter Still
- II - Snoopopaths; or, Fifty Stories in One
- III - Foreign Fiction in Imported Instalments
- MOVIES AND MOTORS, MEN AND WOMEN
- IV - Madeline of the Movies: A Photoplay Done Back into Words
- V - The Call of the Carburettor, or, Mr. Blinks and His Friends
- VI - The Two Sexes in Fives or Sixes a Dinner-Party Study
- VII - The Grass Bachelor's Guide with Sincere Apologies to the Ladies' Periodicals
- VIII - Every Man and His Friends Mr. Crunch's Portrait Gallery
- IX - More than Twice-Told Tales; or, Every Man His Own Hero
- X - A Study in Still Life—My Tailor
- PEACE, WAR, AND POLITICS
- XI - Germany from Within Out
- XII - Abdul Aziz Has His
- XIII - In Merry Mexico
- XIV - Over the Grape Juice; or, the Peacemakers
- XV - The White House from Without In
- TIMID THOUGHTS ON TIMELY TOPICS
- XVI - Are the Rich Happy?
- XVII - Humour as I See It
Now it's the first motor—it's going over a bridge—it's heading for the country—say, isn't that car just flying —Flick, flick!
It's the second motor—it's crossing the bridge too—hurry, boys, make it go!—Flick, flick!
Out in the country—a country road—early daylight—see the wind in the trees! Notice the branches waving? Isn't it natural?—whiz! Biff! There goes the motor—biff! There goes the other one—right after it—hoorah!
The open road again—the first motor flying along! Hullo, what's wrong? It's slackened, it stops—hoorah! it's broken down—there's Madeline inside—there's Edward the Roo! Say! isn't he pale and desperate!
Hoorah! the police! the police! all ten of them in their big car—see them jumping out—see them pile into the thugs! Down with them! paste their heads off! Shoot them! Kill them! isn't it great—isn't it educative—that's the Roo—Edward—with John at his throat! Choke him, John! Throttle him! Hullo, it's changed—they're in the big motor—that's the Roo with the handcuffs on him.
That's Madeline—she's unbound and she's talking; say, isn't she just real pretty when she smiles?
"YES, JOHN, I HAVE LEARNED THAT I WAS WRONG TO PUT MY ART BEFORE YOUR LOVE. I WILL MARRY YOU AS SOON AS YOU LIKE."
Flick, flick!
What pretty music! Ding! Dong! Ding! Dong! Isn't it soft and sweet!—like wedding bells. Oh, I see, the man in the orchestra's doing it with a little triangle and a stick—it's a little church up in the country—see all the people lined up—oh! there's Madeline! in a long white veil—isn't she just sweet!—and John—
Flick, flack, flick, flack.
"BULGARIAN TROOPS ON THE MARCH."
What! Isn't it over? Do they all go to Bulgaria? I don't seem to understand. Anyway, I guess it's all right to go now. Other people are going.
V - The Call of the Carburettor, or, Mr. Blinks and His Friends
*
"First get a motor in your own eye and then you will overlook more easily the motor in your brother's eye."—Somewhere in the Bible.
"By all means let's have a reception," said Mrs. Blinks. "It's the quickest and nicest way to meet our old friends again after all these years. And goodness knows this house is big enough for it"—she gave a glance as she spoke round the big reception-room of the Blinkses' residence—"and these servants seem to understand things so perfectly it's no trouble to us to give anything. Only don't let's ask a whole lot of chattering young people that we don't know; let's have the older people, the ones that can talk about something really worth while."