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Chapters (25)
  1. FURTHER FOOLISHNESS
  2. *
  3. Contents
  4. Preface
  5. FOLLIES IN FICTION
  6. I - Stories Shorter Still
  7. II - Snoopopaths; or, Fifty Stories in One
  8. III - Foreign Fiction in Imported Instalments
  9. MOVIES AND MOTORS, MEN AND WOMEN
  10. IV - Madeline of the Movies: A Photoplay Done Back into Words
  11. V - The Call of the Carburettor, or, Mr. Blinks and His Friends
  12. VI - The Two Sexes in Fives or Sixes a Dinner-Party Study
  13. VII - The Grass Bachelor's Guide with Sincere Apologies to the Ladies' Periodicals
  14. VIII - Every Man and His Friends Mr. Crunch's Portrait Gallery
  15. IX - More than Twice-Told Tales; or, Every Man His Own Hero
  16. X - A Study in Still Life—My Tailor
  17. PEACE, WAR, AND POLITICS
  18. XI - Germany from Within Out
  19. XII - Abdul Aziz Has His
  20. XIII - In Merry Mexico
  21. XIV - Over the Grape Juice; or, the Peacemakers
  22. XV - The White House from Without In
  23. TIMID THOUGHTS ON TIMELY TOPICS
  24. XVI - Are the Rich Happy?
  25. XVII - Humour as I See It

Well, I walked uptown from the station to the Jones Hardware Company. "Is Mr. Jones in the office?" I asked of one of the young fellers behind the counter. "He's in the office," he says, "all right, but I guess you can't see him," he says—and he looked at my grip. "What name shall I say?" says he. "Don't say any name at all," I says. "Just open the door and let me in."

Well, there was old man Jones sitting scowling over his desk, biting his pen in that way he has. He looked up when I came in. "See here, young man," he says, "you can't sell me any hardware," he says. "Mr. Jones," I says, "I don't want to sell you any hardware. I'm not here to sell you any hardware. I know," I says, "as well as you do," I says, "that I couldn't sell any hardware if I tried to. But," I says, "I guess it don't do any harm to open up this sample case, and show you some hardware," I says. "Young man," says he, "if you start opening up that sample case in here, you'll lose your time, that's all"—and he turned off sort of sideways and began looking over some letters.

"That's all right, Mr. Jones," I says. "That's all right. I'm here to lose my time. But I'm not going out of this room till you take a look anyway at some of this new cutlery I'm carrying."

So open I throws my sample case right across the end of his desk. "Look at that knife," I says, "Mr. Jones. Just look at it: clear Sheffield at three-thirty the dozen and they're a knife that will last till you wear the haft off it." "Oh, pshaw," he growled, "I don't want no knives; there's nothing in knives—"

Well I knew he didn't want knives, see? I knew it. But the way I opened up the sample case it showed up, just by accident so to speak, a box of those new electric burners—adjustable, you know—they'll take heat off any size of socket you like and use it for any mortal thing in the house. I saw old Jones had his eyes on them in a minute. "What's those things you got there?" he growls, "those in the box?" "Oh," I said, "that's just a new line," I said, "the boss wanted me to take along: some sort of electric rig for heating," I said, "but I don't think there's anything to it. But here, now, Mr. Jones, is a spoon I've got on this trip—it's the new Delphide —you can't tell that, sir, from silver. No, sir," I says, "I defy any man, money down, to tell that there Delphide from genuine refined silver, and they're a spoon that'll last—"

"Let me see one of those burners," says old man Jones, breaking in.