Chapters (25)
- FURTHER FOOLISHNESS
- *
- Contents
- Preface
- FOLLIES IN FICTION
- I - Stories Shorter Still
- II - Snoopopaths; or, Fifty Stories in One
- III - Foreign Fiction in Imported Instalments
- MOVIES AND MOTORS, MEN AND WOMEN
- IV - Madeline of the Movies: A Photoplay Done Back into Words
- V - The Call of the Carburettor, or, Mr. Blinks and His Friends
- VI - The Two Sexes in Fives or Sixes a Dinner-Party Study
- VII - The Grass Bachelor's Guide with Sincere Apologies to the Ladies' Periodicals
- VIII - Every Man and His Friends Mr. Crunch's Portrait Gallery
- IX - More than Twice-Told Tales; or, Every Man His Own Hero
- X - A Study in Still Life—My Tailor
- PEACE, WAR, AND POLITICS
- XI - Germany from Within Out
- XII - Abdul Aziz Has His
- XIII - In Merry Mexico
- XIV - Over the Grape Juice; or, the Peacemakers
- XV - The White House from Without In
- TIMID THOUGHTS ON TIMELY TOPICS
- XVI - Are the Rich Happy?
- XVII - Humour as I See It
Then he opened the door and came into the big room where the students were playing with matches at the big table and drinking golgol out of cups. "Here is food, brothers," he said. "Take it. I need none."
The students took the food and they cried, "Rah, Rah," and beat the fish against the table. But the pudding they would not take. "We have no axe," they said. "Keep it."
Then they poured out golgol for Serge and said, "Drink it."
But Serge would not.
"I must work," he said, and all the students laughed. "He wants to work!" they cried. "Rah, Rah."
But Serge went up to his room and lighted his taper, made of string dipped in fat, and set himself to study. "I must work," he repeated.
So Serge sat at his books. It got later and the house grew still. The noise of the students below ceased and then everything was quiet.
Serge sat working through the night. Then presently it grew morning and the dark changed to twilight and Serge could see from his window the great building with the barred windows across the street standing out in the grey mist of the morning.
Serge had often studied thus through the night and when it was morning he would say, "It is morning," and would go down and help Madame Vasselitch unbar the iron shutters and unchain the door, and remove the bolts from the window casement.
But on this morning as Serge looked from his window his eyes saw a figure behind the barred window opposite to him. It was the figure of a girl, and she was kneeling on the floor and she was in prayer, for Serge could see that her hands were before her face. And as he looked all his blood ran warm to his head, and his limbs trembled even though he could not see the girl's face. Then the girl rose from her knees and turned her face towards the bars, and Serge knew that it was Olga Ileyitch and that she had seen and known him.
Then he came down the stairs and Madame Vasselitch was there undoing the shutters and removing the nails from the window casing.
"What have you seen, little son?" she asked, and her voice was gentle, for the face of Serge was pale and his eyes were wide.
But Serge did not answer the question.
"What is that house?" he said. "The great building with the bars that you call the house of the dead?"
"Shall I tell you, little son," said Madame Vasselitch, and she looked at him, still thinking. "Yes," she said, "he shall know.