Chapters (25)
- FURTHER FOOLISHNESS
- *
- Contents
- Preface
- FOLLIES IN FICTION
- I - Stories Shorter Still
- II - Snoopopaths; or, Fifty Stories in One
- III - Foreign Fiction in Imported Instalments
- MOVIES AND MOTORS, MEN AND WOMEN
- IV - Madeline of the Movies: A Photoplay Done Back into Words
- V - The Call of the Carburettor, or, Mr. Blinks and His Friends
- VI - The Two Sexes in Fives or Sixes a Dinner-Party Study
- VII - The Grass Bachelor's Guide with Sincere Apologies to the Ladies' Periodicals
- VIII - Every Man and His Friends Mr. Crunch's Portrait Gallery
- IX - More than Twice-Told Tales; or, Every Man His Own Hero
- X - A Study in Still Life—My Tailor
- PEACE, WAR, AND POLITICS
- XI - Germany from Within Out
- XII - Abdul Aziz Has His
- XIII - In Merry Mexico
- XIV - Over the Grape Juice; or, the Peacemakers
- XV - The White House from Without In
- TIMID THOUGHTS ON TIMELY TOPICS
- XVI - Are the Rich Happy?
- XVII - Humour as I See It
Yet in spite of everything, people insist on spoiling conversation by telling stories. I know nothing more dreadful at a dinner table than one of these amateur raconteurs—except perhaps, two of them. After about three stories have been told, there falls on the dinner table an uncomfortable silence, in which everybody is aware that everybody else is trying hard to think of another story, and is failing to find it. There is no peace in the gathering again till some man of firm and quiet mind turns to his neighbour and says, "But after all there is no doubt that whether we like it or not prohibition is coming." Then everybody in his heart says, "Thank heaven!" and the whole tableful are happy and contented again, till one of the story-tellers "thinks of another," and breaks loose.
Worst of all perhaps is the modest story-teller who is haunted by the idea that one has heard this story before. He attacks you after this fashion:
"I heard a very good story the other day on the steamer going to Bermuda"—then he pauses with a certain doubt in his face—"but perhaps you've heard this?"
"No, no, I've never been to Bermuda. Go ahead."
"Well, this is a story that they tell about a man who went down to Bermuda one winter to get cured of rheumatism —but you've heard this?"
"No, no."
"Well he had rheumatism pretty bad and he went to Bermuda to get cured of it. And so when he went into the hotel he said to the clerk at the desk—but, perhaps you know this."
"No, no, go right ahead."
"Well, he said to the clerk, 'I want a room that looks out over the sea'—but perhaps—"
Now the sensible thing to do is to stop the narrator right at this point. Say to him quietly and firmly, "Yes, I have heard that story. I always liked it ever since it came out in Tit Bits in 1878, and I read it every time I see it. Go on and tell it to me and I'll sit back with my eyes closed and enjoy it."