Chapters (25)
- FURTHER FOOLISHNESS
- *
- Contents
- Preface
- FOLLIES IN FICTION
- I - Stories Shorter Still
- II - Snoopopaths; or, Fifty Stories in One
- III - Foreign Fiction in Imported Instalments
- MOVIES AND MOTORS, MEN AND WOMEN
- IV - Madeline of the Movies: A Photoplay Done Back into Words
- V - The Call of the Carburettor, or, Mr. Blinks and His Friends
- VI - The Two Sexes in Fives or Sixes a Dinner-Party Study
- VII - The Grass Bachelor's Guide with Sincere Apologies to the Ladies' Periodicals
- VIII - Every Man and His Friends Mr. Crunch's Portrait Gallery
- IX - More than Twice-Told Tales; or, Every Man His Own Hero
- X - A Study in Still Life—My Tailor
- PEACE, WAR, AND POLITICS
- XI - Germany from Within Out
- XII - Abdul Aziz Has His
- XIII - In Merry Mexico
- XIV - Over the Grape Juice; or, the Peacemakers
- XV - The White House from Without In
- TIMID THOUGHTS ON TIMELY TOPICS
- XVI - Are the Rich Happy?
- XVII - Humour as I See It
A Scotchman had a sister-in-law—his wife's sister—with whom he could never agree. He always objected to going anywhere with her, and in spite of his wife's entreaties always refused to do so. The wife was taken mortally ill and as she lay dying, she whispered, "John, ye'll drive Janet with you to the funeral, will ye no?" The Scotchman, after an internal struggle, answered, "Margaret, I'll do it for ye, but it'll spoil my day."
Whatever humour there may be in this is lost for me by the actual and vivid picture that it conjures up—the dying wife, the darkened room and the last whispered request.
No doubt the Scotch see things differently. That wonderful people—whom personally I cannot too much admire—always seem to me to prefer adversity to sunshine, to welcome the prospect of a pretty general damnation, and to live with grim cheerfulness within the very shadow of death. Alone among the nations they have converted the devil —under such names as Old Horny—into a familiar acquaintance not without a certain grim charm of his own. No doubt also there enters into their humour something of the original barbaric attitude towards things. For a primitive people who saw death often and at first hand, and for whom the future world was a vivid reality that could be felt, as it were, in the midnight forest and heard in the roaring storm, it was no doubt natural to turn the flank of terror by forcing a merry and jovial acquaintance with the unseen world. Such a practice as a wake, and the merry-making about the corpse, carry us back to the twilight of the world, with the poor savage in his bewildered misery, pretending that his dead still lived. Our funeral with its black trappings and its elaborate ceremonies is the lineal descendant of a merry-making. Our undertaker is, by evolution, a genial master of ceremonies, keeping things lively at the death-dance. Thus have the ceremonies and the trappings of death been transformed in the course of ages till the forced gaiety is gone, and the black hearse and the gloomy mutes betoken the cold dignity of our despair.
But I fear this article is getting serious. I must apologise.
I was about to say, when I wandered from the point, that there is another form of humour which I am also quite unable to appreciate. This is that particular form of story which may be called, par excellence, the English Anecdote. It always deals with persons of rank and birth, and, except for the exalted nature of the subject itself, is, as far as I can see, absolutely pointless.
This is the kind of thing that I mean.