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Chapters (51)
  1. Cover
  2. Book Title Page
  3. Copyright
  4. Dedication
  5. Epigraph
  6. Winter
  7. POSTMATE
  8. SUSBOY
  9. SHAWN
  10. HORSE RIDER
  11. SIDE BAE
  12. BROKE BOI
  13. Spring
  14. EDITOR BAE
  15. SEYMOUR
  16. ICED-OUT HOMIE
  17. EX BAE
  18. ROOMIE BRO
  19. LIL B
  20. Summer
  21. MRA
  22. OUTDOOR DUDE
  23. HETERO BRO
  24. LIL BRO
  25. LIL SIS
  26. BIG LEAF
  27. Fall
  28. X
  29. THE OLE MAN
  30. SCHOOLBOY
  31. RYDEN
  32. BALLBOY
  33. THE MA
  34. Winter
  35. WEE LAD
  36. NURSE DADDY
  37. GAL PAL
  38. BOSS MAN
  39. NEW LEAF
  40. CANE GUY
  41. Spring
  42. PRODUCE BRO
  43. AUTONOMOUS BAE
  44. FLOWER BOY
  45. Summer
  46. OLD HEAD
  47. Philly in the Time of FUCCBOI
  48. Works Cited
  49. Discover More
  50. Acknowledgments
  51. About the Author

And he’d moved onto 43rd and Pine, so right on my sole walking route; only, once I linked with him, he’d lead me elsewhere.

Along routes I’d deemed beyond my range.

Un-triggering all the spots.

Re-instilling multiplicity to all the places I’d decided were, and could only be, a single thing.

I texted him What’s good around 5 one day.

He said he was going to an Eileen Myles reading at the Penn Book Center, a bookstore on 34th and Walnut, if I was tryna join.

“You’d just be going solo otherwise?”

“Yeah!” he said.

I’d been peripherally aware of this spot, but had never been inside, I realized, upon setting foot inside.

The reading was lit.

Poems that didn’t sound poem-y in the way I hated that most poems sounded.

More like rambly yet deliberate bars that loosely adhered to poetic form.

And Eileen Myles didn’t do the thing poets be doing at poetry readings where they make everyone uncomfortable at their self-seriousness, and by the end feel (the audience, or at least I, would) like the poet just jerked it, straddling them so they were trapped, and then busting prematurely onto their chest.

No; Eileen was charming, charismatic, self-aware.

Honestly hilarious.

Lubed everyone up with killer banter before plunging into the bars.

Which themselves didn’t sound all that different than the banter. Just more ordered.

It all sounded natural.

I was wetter than I’d ever been at a poetry reading.

So many young, attractive, femme women in there with their blatantly, almost parodically masculine-presenting female partners.

Like the divide was so distinct.

Hi-top fades, fuccboi haircuts, blazers, vests.

Cowboy belts.

A lotta Carhartt.

And I mean, I was wittit.

Eileen Myles, even, had just changed their pronoun from she to they, they mentioned.

And I fucked with—roundabout-related to—how wild/tricky some of their bars. From Evolution (2018):

I shoot these themes

themes

I mean my

jism

that look on your face

is covered

with my thought

Lol.

I mean damn.

It was out front the bookstore, after the reading, that I recognized, across the way, the poet Gina Myers.

Sorta spazzed out and wanted to go up to her, but then didn’t.

Then N and I walked to Local 44 on 44th and Pine, for a drink, and who did I see, sitting at the bar, but the poet Gina Myers. Again.

Wanted to approach her again but then didn’t.

•

First I encountered the poet Gina Myers was a season after moving back to Philly, late-fall two falls ago.

My first season back in Philly the first season post-Trump.

Spent full nocturnal and focused solely on stimulant intake and banging out the first draft of my weed farm novel, stretching out the weed bands I’d saved.

Come spring though I could sit and write in solitude no longer.

I had to make moves.

To scheme.