Chapters (31)
- Cover
- Unearthly Delights
- Object Lessons
- A Dusting
- The Old House Speaks
- charms i.
- Constant Objection
- A Little Safe
- Hatchlings
- The Ashes
- charms ii.
- Sparkly Things
- The Cryptic Chamber
- Notes on March 10, 1992
- Another Poem for Maude
- charms iii.
- She Sells Seashells
- Likeness
- charms iv.
- Foreign Body
- After Being Asked If I Write the Occasional Poem
- Alloy
- charms v.
- Divine
- The Nest in Winter
- After Words for Ava
- Nitro
- Afterword
- Notes
- Acknowledgments
- Dedication
which it utilizes for protection
well, me, too—
I take her in to ward her off
•
There is also trickery in the case of the Photuris firefly
who at times sits on a blade of grass, responding
to male fireflies with deceptive flashes
mimic deceive devour
like legend like fairy tale
like office copy-room
•
Regrettably I’ve never sat in my backyard the night before
heading off to Belize
unlike Professor Sara Lewis
who found herself
—instead of mulling over coral reefs—
espying firefly sexual selection and
comparing the winks to Darwin’s thesis on
male displays of antlers and feathers
though it is true that at the book launch where Harold read Bestial
I took note of his commanding backlist
•
Lastly also like fireflies what I cook up
can present an unpleasant meal
although mine does not glow
although I wish I could produce glowy things
—sestina, sukiyaki, manifesto—
However, like firefly glow
I turned on during courtship Harold said so and
he himself is brilliant
especially at nightfall
—though not from enzymes in his tail—
•••
charms iv.
Nip in the Bud
Pull out a Queen Anne’s Lace
By every gnarled tendril
To hone your skill at tatting
As well as thwart a rival
•
Reprisal
If a sweetheart aims to stray
For a neighbor’s tryst
Find a way to shake a branch
Of nettles on her sheets
•••
Foreign Body
This is a poem on my other’s body,
I mean, my mother’s body, I mean the one
who saved her braid of blue-black hair
in a drawer, I mean the one
I could lean against—
against as in insistence. Fuzzy-dress-of-wuzzy
one. Red-lipstick one.
Rubber-gloves one. Her one to me,
bad-ger bad-ger
or so I heard. The one body I write on—
her sun-flecked body
as she bathed in the afternoon.
Was I five? It was Summer.
Then Winter—where today
I call the unlocked bathroom to mind:
I cannot leave her body alone.
Which is how I found Mother
escaping the heat of a 1950s house,
Father on a ladder with blowtorch
to scrape the paint off the outside.
•
badger badger
•
The sun in those suburbs
simmered the tar roof over our rooms
in the town where the wasps lived
inside paper cells beneath both eaves and roots.
They sing—
I mean—sting very much, the wasps.
•
Now I’m sixty. Sweet as dried papaya.
My hair, a bit tarnished,
my inmost, null.
Memory is falling away
as if an image shattered to shards then
re-collected for a kaleidoscope:
I click the pieces into sharp arrangement—
bad bad girl girl
In turn, a daughter turns sovereign.
•••
After Being Asked If I Write the Occasional Poem
After leaving Raxruhá, after
crossing Mexico with a coyote,
after reaching at midnight
that barren New Mexico border,
a man and his daughter
looked to Antelope Wells
for asylum and were arrested. After
forms read in Spanish
to the Mayan-speaking father,
after a cookie but no water, after